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    • CONTACT & INFORMATION
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      • Exhibits Overview
      • Artists as Advocates 2025
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      • Kim Parker
      • 2024 Maxfield Boonton
      • 2023 Juried Morris Museum
      • 9th Annual 2022
      • 8th Annual Exhibit 2021
      • 7th Annual Exhibit 2020
      • Farmstead 2024
      • Farmstead 2023
    • ARTIST SUBMISSIONS
      • Artist Submissions
      • Prospectus PDF
    • Workshops Seminars
      • Hawk Point Photo Seminar
Highlands Art Exhibits
  • Home
  • CONTACT & INFORMATION
    • Contact Hours Directions
    • About The Highlands
    • Media
  • Exhibits
    • Exhibits Overview
    • Artists as Advocates 2025
    • Farmstead 2025
    • Kim Parker
    • 2024 Maxfield Boonton
    • 2023 Juried Morris Museum
    • 9th Annual 2022
    • 8th Annual Exhibit 2021
    • 7th Annual Exhibit 2020
    • Farmstead 2024
    • Farmstead 2023
  • ARTIST SUBMISSIONS
    • Artist Submissions
    • Prospectus PDF
  • Workshops Seminars
    • Hawk Point Photo Seminar

CHARLES DEXTER - West Pond on Bearfort Mountain

West Pond on Bearfort Mountain

Charles Dexter

photograph  

$600

Copyright © Charles Dexter 


ARTIST STATEMENT:  


Photography allows me to recreate the natural world in the way that I see it and to share it with other people. While I try to isolate and simplify scenes from nature into shapes, color and design, I still want the viewer to feel the wonder and power of the world outside of the frame.


The world is a magnificent place, full of unexpected sources of beauty.  We are very fortunate to be living in it.   Despite all of the turmoil in the world, we look for our own unique experiences to fill our existence. Being truly alive requires our full focus and attention.


Our experiences can be beautiful or ugly depending on what our circumstances are and what we make of them.  People respond to different aspects of the world in different ways.  Some people are stimulated by human made environments while others respond to nature.  Some people are stimulated by the clash!


I respond to nature.  While I also respond to human environments, it is nature that really enthralls me!  I am always grateful to be in the presence of natural beauty. Wilderness creates a sense of awe and wonder. Viewing nature, either from a high cliff with a vista, or with macro lens, provides me an endless source of visual inspiration.  Through my photographs, I want to show you how wonderful the natural world is.


The camera lens allows me to focus, highlight, isolate, and perhaps exaggerate aspects of the world as I see it. I try to put these elements into a visual form that communicates what I see to you.  Even though I try hard to simplify scenes of nature into shapes, color, contrast and design, I also want you to feel the wonder and power of the natural world beyond the frame.  I want you to catch your breath, be inspired and, with luck, share my experience of it.


Sometimes scenes in nature remind me of famous paintings I've seen in art history classes that have made a vivid impression on me. Each artist sees the world in a different way. By using techniques of craft, color and composition, artists try to find a visual language to express that way of seeing.  Some artists are successful pioneers of visual language, while others work beautifully with accepted ways of communication.  


What succeeds, or not, is the basis for lively debate.   There is no escaping the fact that my photographic styles are eclectic.  I love the 19th century Hudson River School painters who depict grand landscapes, atmospheric weather and light. This famous Catskill Mountain view has been painted and sketched by Thomas Cole, Jasper Francis Cropsey and Sanford Robison Gifford. I am also inspired by the photographic traditions of Ansel Adams and the Sierra Club.  


However, I also find impressionist painters, who create a ‘soft focus’ effect, exciting. In this photograph of a cherry tree blossoming in New York City, the technique of multi-exposure in the camera reduces the realistic details of the scene to color, texture and form.


Abstract painters make canvases that are purely about color, shapes and texture. They aren't trying to represent anything in the natural world. Yet abstract forms and patterns do exist in nature. An example can be seen on this lichen covered rock face along a trail in Colorado.


I am grateful to the pioneers of visual language.  I learn from the different painting and photographic styles they create. Not only do they demonstrate unique ways of perception that sharpen my vision, they show me how to be even more alert to the wonders of the world around me.


Our world is full of exciting places and things that exist in changing weather and light. We are fortunate there are so many ways to see it all.


ART COPYRIGHT © Charles Dexter, All Rights Reserved.   

NJ Highlands Coalition 508 Main Street , Boonton, NJ 07005      

PHONE:  973-910-2400       

EMAIL:  highlandsart@njhighlandscoalition.org 






BIO

Charles Dexter’s work is inspired by the photographic traditions of the Sierra Club and his art history courses in college. He is self trained.


He joined the New York City Sierra Club Photography Committee in 1992. His photography is enriched by his continuing association with many of its members and the influence of their work. He is a past chairman of that group.


Charles developed a love for high places, wilderness, and the magic of photography as he explored the high cliffs of the Palisades, north of Alpine, New Jersey. Throughout the four seasons, he kept returning to the same mile and a half length of cliffs.


He sharpened his photographic eye by observing the slow, continuing transformation of light, foliage and weather on the unchanging rock formations over time.


From these cliffs, he discovered a wealth of evolving nature to observe with his camera. 


To this day Charles continues his photographic exploration of both vast and intimate landscapes found in the Hudson and Delaware River valley wilderness regions. Since taking an Outward Bound course in Colorado, he also photographs with great passion in the American West.


His solo photography exhibits at Berkeley College in New York City, and at the Greenbrook Sanctuary in Tenafly, NJ, were well received. He also exhibited in many of the NYC Sierra Club Photography Committee group shows.


Charles Dexter’s photographs have been published in Audubon Magazine and by the Atlantic Chapter of the Sierra Club. -His work is also featured on CD album covers for Sonoton Music Productions. He photographed dance performances for Serena Mid East Dance Theater and Multigravitational Aero Dance Group.


He works as a freelance music and sound effects editor for video and film. He graduated from Pratt Institute with a Bachelor of Fine Arts degree in filmmaking and cinematography.


He works as a freelance music and sound effects editor for video and film. He graduated from Pratt Institute with a Bachelor of Fine Arts degree in filmmaking and cinematography.

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EDWARD FAUSTY - Artist Info P. 2

SOLO AND TWO-PERSON EXHIBITIONS 


Nimbus Dance Works, Jersey City, NJ, [Site/Moment], two-person show with Winifred McNeill, curated by Kerry Kolenut, 2018 

Inquiry Art Gallery, Boonton, NJ, Worlds, 2018 

Carter Burden Gallery, New York City, Many Worlds (Handmade folding artist’s book) October, 2017 Unitarian Universalist Fellowship, Morristown, NJ, Worlds, 2017 

Prana Yoga, Denville, NJ, Next Frontier, ten night sky prints, 2016 

The Drawing Rooms, Jersey City, NJ, The Nature of Things, eight night sky prints, 2016 

Carter Burden Gallery, New York City, The Night, 15 Prints from Next Frontier series, 2015 

Silverman, Hamilton Square, Jersey City, NJ, A Fragile Utopia: the Days of 111 First Street, 23 prints, 2015 

The Drawing Rooms Circle, Jersey City, NJ, two-person exhibit with Feng Xiao Liu, prints from Moving Mountains and Chinese calligraphy, 2014 

The Art House, Jersey City, NJ, two person exhibit, prints from Moving Mountains, 2014 

The Drawing Rooms, Jersey City, NJ, circular images from the woods, 2014 

Louis K. Meisel Gallery, New York City, 26 prints from the Next Frontier series, Land and Night Sky, 2013

Tachair Gallery, Jersey City, NJ, 15 large prints from A Fragile Utopia, 2012 

The Drawing Rooms, Jersey City, NJ, 7 prints from the Camera Vision series, 2012 

Hunterdon Art Museum, Clinton, NJ, Next Frontier: the Land and the Night Sky, spring, 2011 

Sawadee Gallery, Jersey City, NJ, Vantage Point: Views of Manhattan, The Hudson and Hoboken, 2010

Hoboken Historical Museum, One View, Endless Variety, The Hudson from Atop The Palisades, 2009 

Sawadee Gallery, Jersey City, NJ, The Final Frontier, land and star scapes, 2009 

Bernstein Gallery, Princeton University, A Fragile Utopia, 111 First Street, 2006 

John Meagher Rotunda Gallery at City Hall, Jersey City, A Fragile Utopia, 2005

Hofstetter Arts Center, Martinsville, NJ, Working Towards Unity; printed in ink (collotypes and pigment prints), 2004 

Iron Monkey Gallery, Jersey City, NJ, 111 Studio Views, 2004 

Tomasulu Gallery, Union County College,111: Rooftop and Studio Views, Nov. '03 

Learning Spirit Gallery, Jersey City, ‘Round About the Beginning (Going Back Series), Sept., Oct., 2002, large inkjet self portraits 

Hamilton Ale House, Jersey City, Foggy Nights: 111 Rooftops, Jan., 2001 

Jersey City Mack-Cali Corp. Artwindows, Space to Create: Views of Artists’ studios at 111 First St., 2001 Federal Hall, New York, 1984: Ektacolor prints from The Lower East Side Project (with Brian Rose) 

World Theater Festival, Nancy, France, 1981: Ektacolor prints from The Lower East Side Project 

The Henry Street Settlement, Abrons Arts for Living Center, New York, 1981: Ektacolor prints from The Lower East Side Project 


SELECTED GROUP EXHIBITIONS


Art Fair 14C Juried Exhibit, 2020 

Saint Peter’s University, Jersey City, NJ, Worlds, 2017 

DM Contemporary, New York City, 2016 

Simons Center for Geometry and Physics, Stonybrook University, NY, Tracking The Cosmos, curated by Alastair R. Noble, prints from Next Frontier, 2014 

Compton Gallery, Boonton, NJ, The Collective Curiosity of the Photographic Art, Night Sky images, 2014 

2 at The Art house, Jersey City, NJ, Moving Mountains series, 2014 

Carter Burden Gallery, Looking Beyond, 2014 

The Art Center of New Jersey, For Art's Sake, 13 prints from the Next Frontier Series, 2013 

1591 Gallery, Rahway, NJ, Stardust, 6 prints from Next Frontier, 2012 

Mayson Gallery, NYC, 7 Prints from Next Frontier, 2012 

Mana Fina Arts, Jersey City Studio Tour, Shack Fragment Halftone series, 2011 

The Distillery, Jersey City, NJ.: Behold the Lens, Moving Mountains series, 2011 The Jersey City Art Fair, 2009, 2010 

Victory Arts Projects at South Street Seaport, New York City, Dreams of a Midsummer Night, (Final Frontier series), 2009 

Victory Arts Projects, Jersey City, NJ, Lifecycles, 2008 

Victory Arts Projects, Jersey City, NJ, Building Cities, 2008 

The Jersey City Artists Studio Tour, City and Sky, 2008 

The Jersey City Artists Studio Tour, People Without Clothes, 2008 

Northlight Gallery, Arizona State University, Collotypes, 2007 

Gallery at Univ. of Texas, San Antonio, Collotypes, 2006 

Gallery Bi-Damas, Osaka, Japan, Small Works, ’03, ’04, ‘05

 Paul Sharpe Contemporary Art, NYC, Robert Blackburn Memorial, June, ‘03 

The U.S. Library of Congress, Creative Space: Prints from the PMW Collection, Jan. ‘03 

Brooklyn Museum of Art, Digital Printmaking Now, June, 2001 

Bogota Arts Center, Colombia, 1997: collotypes of Taiwan 

Hostos Community College, Bronx, NY, 1996: The Power of Prints 

Pan Pan Artspace, Taipei, Taiwan, 1995: Printmakers and public lecture 

Bloomsburg University, Bloomsburg, PA, 1995: 4 From the Printmaking Workshop 

The Center for Book Arts, New York City, 1992: L. Looking, handmade 6-color collotype book 

Dallas Museum of Art, Architecture and Its Image, 1990 

Canadian Center for Architecture Inaugural, 1989 

Museum of Photography at George Eastman House, Rochester, NY 

Brooklyn Museum of Art, New York City, 1983: The Great East River Bridge 


AWARDS 


Art Fair 14c, Jersey City, February 2020, Best in Show Award for Looking Down a Very Dark Road 

Princeton University Atelier Program, visiting artist, 2007, with Accra Shepp 

Museum of Computer Art (MOCA), July 2001, best in show (online review by Don Archer of Digital Printmaking Now at the Brooklyn Museum of Art) 

National Endowment for the Arts (NEA) Survey Grant in Photography, 1983 

Creative Artists Program Services (CAPS) (later NYFA) grant, 1981 Hudson River Museum Annual, 1979 


CURATORIAL WORK


- Co-curator of About Photography exhibit (with Robert Kosinski), 2007, Victory Hall Cultural Center, Jersey City, NJ 

- Curator of Beauty of Big at Victory Hall, 2002, exhibit of large scale painting, installations, drawing, photography, and digital printing. 


BIBLIOGRAPHY 


Review of Art Fair 14C Juried Exhibit, 2020, by Tris McCall Asbury Park Press (App.com) review of Stardust, Rahway Exhibit Revels in Heavenly Sights The Left Bank Art Blog, June 19, 2011, Next Frontier review by Charles Kessler The Star Ledger, Fausty Photos of the Night at Hunterdon, Dan Bischoff, review of the Next Frontier Exhibit ,April, 2011 11 minute video tour of Next Frontier at Hunterdon Art Museum The Tris McCall Report, online review of A Fragile Utopia solo exhibit, 2005 MOCA, Museum of Computer Art, online review of Digital Printmaking Now exhibit at Brooklyn Museum, 2001 The Record, June 20, 2003, A Warehouse of Diverse Art The Jersey Journal, Jan. 2001, Cat’s-eye View of Art Studios The New York Times, Vivien Raynor, July 7, 1996, A Print Show By 12 Workshop Members The Union Daily (Taipei, Taiwan, in chinese), Jan.1995, Printing and Light Come Together describing exhibition and lecture given at Pan Pan Artspace. (article in Chinese) The Jersey Journal, May, 1992, Cannibalism describing group show of that name Canadian Center for Architecture, MIT Press, 1989, Architecture and its Image museum catalog The Village Voice, Oct. 2, 1984, Lower Manhattan Sy Rubin, ed., The Henry Street Settlement, New York, 1981, The Lower East Side Artforum Magazine, Sept., 1981, Ed Fausty, Brian Rose The New York Times, May 8, 1981, The Lower East Side: A Contemporary Portrait in Photographs 



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EDWARD FAUSTY - Wishbone

Wishbone 

Edward Fausty  

Photograph  

17"h x 23"w  

$300   

Copyright Edward Fausty, All Rights Reserved


I have been a regular visitor to the woodlands around Boonton, New Jersey  since moving here eight years ago. Actually, the woodlands played a central  part in that decision. For longer than I can remember, these tranquil yet dynamic  areas have helped me reconnect with myself, especially when I lived in more  urban areas.  Making photographs has been a way of recording the wholeness I feel in the  woods, surounded by natural cycles of life and death. Photographs are also an  excuse for working with one of my favorite materials: paper. These prints are  made on one of my favorites, Arches Text, an uncoated fine art paper with a  beautiful texture not covered up by an inkjet coating. These papers do require  special attention in the digital printng process. 


ABOUT EDWARD FAUSTY


Deeply influenced by his undergraduate work with Joel Meyerowitz at The Cooper Union and graduate work with Richard Benson at Yale University, his direction and evolution over the decades has been largely independent of these early academic influences, resulting in numerous distinct but concentrated bodies of work all visible on www.edwardfausty.com : scanned polaroid negatives of sprouting plants; progressively blurred self portraits (collotypes) printed on a letterpress; pictures made with a view camera from within an incubator; mountains of north central Norway; artists’ studios at a factory in Jersey City; views of the land and sky at night; and intimate/global circular views of the forest. In all these projects, the print and paper have anchored the work in the classic tradition of the fine print. Fausty’s work is represented in such collections as The Canadian Center for Architecture, The George Eastman House, The U.S. Library of Congress, Pfizer Corporation, Yale University and others. He has exhibited work at Princeton University (Atelier Fellowship with Accra Shepp), The Brooklyn Museum of Art, Gallery Bi Damas in Japan, Paul Sharpe, DM Contemporary and Carter Burden Galleries in New York City, The World Theatre Festival in Nancy, France, and Inquiry Art Gallery in Boonton, New Jersey. His series Next Frontier: the Land and the Night Sky has been featured at the Hunterdon Art Museum in Clinton, NJ, the Lewis K. Meisel Gallery in New York City, and the Visual Arts Center of NJ. Fausty has also received NYFA and NEA fellowships working with Brian Rose on a project documenting Manhattan’s Lower East Side. 


EDUCATION 


MFA Photography, Yale School of Art, 1986

Studies with printer and MacArthur Fellow Richard Benson, inspired by his photo-lithographs. 

Studies with Tod Papageorge, Joel Sternfeld. 

BFA, Cooper Union School of Art, 1979

Studies with printer Norman Sanders who later suggests collotype as a photomechanical process. 

Studies with Joel Meyerowitz; immersion in his large & small format color work and sensiblity. 

Studies with sculptors Christopher Wilmarth and Reuben Kadish. 


READ MORE...


ART COPYRIGHT © Edward Fausty, All Rights Reserved.  

NJ Highlands Coalition 508 Main Street , Boonton, NJ 07005     

HONE:  973-910-2400      

EMAIL:  highlandsart@njhighlandscoalition.org 

READ MORE ABOUT EDWARD FAUSTY, INCLUDING:
Solo and Two-person Exhibitions

Selected Group Exhibitions

Selected Collections

Curatorial Work

Bibliography 

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JANET CUNNIFFE-CHIEFFO - Fresh Snow

Fresh Snow  

Janet Cunniffe-Chieffo  

oil on linen  

18"h x 14"w

$2,000  

Copyright Janet Cunniffe-Chieffo


ARTIST STATEMENT


BIO


Janet Cunniffe-Chieffo graduated from the New York Academy of Art.  Known for her still life paintings on copper, her award winning paintings have been published in Copper in the Arts, on the cover of Connection Magazine, and exhibited at many prestigious galleries across the country including the Morris Museum, Salmagundi Club, Greenhouse Gallery, National Arts Club, Dahesh Museum, and Studio 7 Fine Art Gallery.    Also an accomplished portrait painter, Cunniffe-Chieffo has received awards from the national Artist’s Magazine and the National Association of Women Artists. Her public portrait commission of former County Executive Vanderhoef is part of the permanent collection of Rockland County, NY.    Prior to becoming a full time artist, Cunniffe-Chieffo studied graphic design at Indiana University and began her career as a graphic designer.  Passionate about sharing her knowledge of fine art, Cunniffe- Chieffo has taught painting and drawing at many institutions and currently is a Professor at Sussex County Community College.         


COPYRIGHT

 Copyright ©  Janet Cunniffe-Chieffo.  All rights reserved.      

The NJ Highlands Coalition respects the rights of all artist and copyright holders.  Consequently, all works that appear on this website do so with the  consent of the artist/s or the copyright holder.    No image or  information display on this site may be reproduced, transmitted or  copied (other than for the purposes of fair dealing, as defined in the  Copyright Act 1968) without the express written permission of The NJ Highlands Coalition and the artist.  Contravention is an infringement of the Copyright Act and its  amendments and may be subject to legal action 


CONTACT

 NJ Highlands Coalition

508 Main Street , Boonton, NJ 07005   

PHONE:  973-910-2400   

EMAIL:  highlandsart@njhighlandscoalition.org

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MARTHA ROMANO - Twilight Spirit

Twilight Spirit ~ Red Fox

Martha Romano 

Watercolor 32"H x 44"W  including frame 

$11,000


ARTIST STATEMENT


This award-winning painting was painted nearly entirely on-site, high up on a hill on a farm adjacent to the Split Rock Reservoir, Rockaway Twp., NJ. The painting took months to complete (over two summers) as I would return with my painting gear and hike up to the highest point of the farm many, many times at sundown, weather permitting,  often arriving to find the black Angus bull and the cows hanging out in the middle of my vantage spot! I would have to shoo them away to the next pasture and latch the gate before I could begin painting. My technique with watercolor is not the typical use of the medium (quick, loose impressions). I start with broad washes, then add my texture layers, slowly building up the painting, lastly paying attention to all the small details that make the landscape a "portrait" of a particular place, capturing its color and atmosphere, its fauna and flora, right down to the very grasses and wildflowers I stood among while working on this painting. The beauty of Nature inspires me as an artist, and through my paintings I invite viewers to take a closer look at the precious wonders of the natural world all around us. It is my hope, that what we feel a personal connection to, we will act to preserve and protect. Make time to connect with Nature ~ your spirit will be richly rewarded.


COPYRIGHT

 Copyright © Martha Romano  All rights reserved.      

The NJ Highlands Coalition respects the rights of all artist and copyright holders.  Consequently, all works that appear on this website do so with the  consent of the artist/s or the copyright holder.    No image or  information display on this site may be reproduced, transmitted or  copied (other than for the purposes of fair dealing, as defined in the  Copyright Act 1968) without the express written permission of The NJ Highlands Coalition and the artist.  Contravention is an infringement of the Copyright Act and its  amendments and may be subject to legal action 


CONTACT

 NJ Highlands Coalition

508 Main Street , Boonton, NJ 07005   

PHONE:  973-910-2400   

EMAIL:  highlandsart@njhighlandscoalition.org

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DORIS ETTLINGER - Snow Geese

Snow Geese

Doris Ettlinger

watercolor

 8"h x 12"w (image)

13"h x 17"w (including frame)

$500


The best thing about January is the arrival of the snow geese. I can hear them before I see them. I love how they spiral down into the harvested cornfields. Always alert, they take off all at once, honking. In this painting the geese are looking every which way while they forage. The chaos of the watercolor in the foreground suggests their noise and is a foil for the soft diffuse background. I masked the geese before painting very loosely with strong pigment. After removing the mask, I could add detail to the geese in a more relaxed, precise way. 


I work with traditional media to make representational images. Subjects are drawn from my surroundings, whether scenes in my neighborhood, friends, fragments of nature, or views of the Musconetcong River. I also enjoy a challenge or suggestion from my students.  


In the sketching stage I think about what I want to say. I edit and compose, sketching values, then planning colors. Watercolor requires planning before wetting the brush, courage when applying the paint, and restraint from fussing over it afterwards. When done right the color looks fresh, not overworked.  


I work with big wet brushes and gestural strokes at the beginning of the painting process. What is important to me is that my subjects look alive, even if they’re inanimate. That happens when I allow t


As I proceed my brushes become smaller and my strokes more refined, drawing the eye to the interesting bit that made me want to make the painting in the first place. 


"Doris brings her viewers to a space of tranquility and peace with her gentle approach to watercolor." Alfa Art Gallery 


A native of Staten Island, Doris lives with her artist husband Michael McFadden in an old gristmill near Hampton, New Jersey where they raised their two children. On the first floor of the mill, the artists have their studios. On the third floor Doris teaches members of the Musconetcong Watercolor Group, now in its 12th year. She also teaches workshops at The Center for Contemporary Art in Bedminster NJ.  


Doris Ettlinger graduated in Illustration from the Rhode Island School of Design and later received an MFA in Printmaking from the University of Wisconsin - Madison.  Over the course of her career Doris has illustrated 40 children’s books, including the award-winning titles A Book for Black-Eyed Susan and The Orange Shoes. She collaborated on the Little House program for HarperCollins, producing picture books and chapter books based on the writings of Laura Ingalls Wilder. Other clients include Sleeping Bear Press, American Girl, Albert Whitman & Co, Houghton Mifflin and Simon & Schuster. She is represented by Cornell & Company.


Doris has taken workshops with Charles Reid, Tony Van Hasselt, Thomas Schaller, Sterling Edwards and Mel Stabin. But her earliest watercolor mentor was her mother Minnie Bush Ettlinger who successfully showed her work on Staten Island as well as in competitive shows in Manhattan. 


Doris is a signature member of the Garden State Watercolor Society. Her paintings have won awards in numerous shows. She is also a member of the New Jersey Watercolor Society and the Society of Children's Book Writers and Illustrators. 


READ MORE  about Doris, including:

Curriculum Vitae

Education

Professional Experience

Recent Exhibitions

Selected Honors and Awards 

Membership Organizations

Bibliograhy of Children's Books


ART COPYRIGHT © Doris Ettlinger, All Rights Reserved. 

NJ Highlands Coalition 508 Main Street , Boonton, NJ 07005    

PHONE:  973-910-2400     

EMAIL:  highlandsart@njhighlandscoalition.org 






READ MORE  about Doris, including:

Curriculum VitaeEducationProfessional ExperienceRecent ExhibitionsSelected Honors and Awards Membership OrganizationsBibliograhy of Children's Books 

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MARIE LIU - Great Council Tree

GREAT COUNCIL TREE

Marie Liu

oil on canvas  

47" x 47" framed 

$4,500     


ARTIST STATEMENT

At approx. 450 years old, this oak in Walpack NJ was alive when William Penn was given claim to this property and the Lenape Indians habitated the area.  It is thought to be the northern most marker for the division of east and west New Jersey by King George in 1681.  Elements within the painting are copied or inspired by 19th century Quaker artist Edward Hicks, who painted Penn and the Lenape signing the Treaty of Shackamaxon, in his well known series "Peaceable Kingdom", many of which depicted the Delaware Water Gap in the background and a gathering of beasts and babies in the foreground.  This tree is awaiting it's pending application as a NJ Heritage Tree.        


BIO

 River Valley, it’s creeks, woods scenes and waterfalls provide painter Marie Liu with endless inspiration. Since moving to the Poconos over a decade ago, she has dedicated herself entirely to exploring it’s landscape and history. Vast tracts of public land, protected by State and Federal agencies, enable access to areas that are unique treasures and makes the region a perfect place for a landscape painter. Her paintings serve as a tribute to those that work to protect these areas for the public benefit. As Resident Artist for the Delaware Water Gap National Recreation Area from 2015-16, she focused on interpreting the scenery and history of the Park area for exhibits in the visitors centers. She also researched the history of art of the Minisink region and artists that lived within it and delivers this presentation throughout the area, including the Zimmermann House, Grey Towers National Historic Site, the Dutot Museum, Dingman/Delaware and Walpack Historical Societies.  A contributing writer for Pocono Living Magazine, she writes articles about the art and history of the Pocono region. A local history enthusiast, one of her favorite subjects is Gifford Pinchot. Having painted a number of images of him, she enjoys informing people of his great achievements as America’s ‘First Conservationist’, the first Chief of the US Forest Service, (working with Pres. Teddy Roosevelt to establish, increase and enhance US Forest and Park lands) and two-time Governor of Pennsylvania. She has been a member of the ARTery co-operative gallery in Milford, PA for 12 years, where she exhibits her paintings.  She also serves as its Director and Curator, working to provide an excellent forum for regional artists and collaborate with local organizations to create exhibits that engage the community and educate visitors about the region. Educated in the Fine Arts at the Rocky Mountain College of Art and Design in Denver, CO; she returned to the Northeast to be in the landscape that she feels a kinship with. She was co-owner of the Star Gallery in Middletown, NY for 11 years before relocating to Milford.     COPYRIGHT Copyright ©  Marie Liu.  All rights reserved.      The NJ Highlands Coalition respects the rights of all artist and copyright holders.  Consequently, all works that appear on this website do so with the  consent of the artist/s or the copyright holder.    No image or  information display on this site may be reproduced, transmitted or  copied (other than for the purposes of fair dealing, as defined in the  Copyright Act 1968) without the express written permission of The NJ Highlands Coalition and the artist.  Contravention is an infringement of the Copyright Act and its  amendments and may be subject to legal action COPYRIGH CONTACT:  NJ Highlands Coalition  508 Main Street , Boonton, NJ 07005   PHONE:  973-910-2400   EMAIL:  info@njhighlandscoalition.org  


COPYRIGHT

Copyright ©  Marie Liu.  All rights reserved.      The NJ Highlands Coalition respects the rights of all artist and copyright holders.  Consequently, all works that appear on this website do so with the  consent of the artist/s or the copyright holder.    No image or  information display on this site may be reproduced, transmitted or  copied (other than for the purposes of fair dealing, as defined in the  Copyright Act 1968) without the express written permission of The NJ Highlands Coalition and the artist.  Contravention is an infringement of the Copyright Act and its  amendments and may be subject to legal action 


CONTACT

 NJ Highlands Coalition

508 Main Street , Boonton, NJ 07005   

PHONE:  973-910-2400   

EMAIL:  highlandsart@njhighlandscoalition.org

Return to Exhibit

MARIE LIU - Great Oak of Walpack

Great Oak of Walpack

Marie Liu

oil on canvas

30"h x 24"w framed 


This painting describes a sad moment in NJ history.  Farmer Darrone says goodbye to his Great Oak because he is forced to leave his Walpack home and farm because of the Tocks Island Dam project (as were hundreds of the areas residents) that ultimately never was built.  The painting was inspired by a poem by NJ poet Kerri McCaffrey and part of her poem is written on the painting.  


ARTIST STATEMENT 

Delaware River Valley, it’s creeks, woods scenes and waterfalls provide painter Marie Liu with endless inspiration. Since moving to the Poconos over a decade ago, she has dedicated herself entirely to exploring it’s landscape and history. Vast tracts of public land, protected by State and Federal agencies, enable access to areas that are unique treasures and makes the region a perfect place for a landscape painter. Her paintings serve as a tribute to those that work to protect these areas for the public benefit. As Resident Artist for the Delaware Water Gap National Recreation Area from 2015-16, she focused on interpreting the scenery and history of the Park area for exhibits in the visitors centers. She also researched the history of art of the Minisink region and artists that lived within it and delivers this presentation throughout the area, including the Zimmermann House, Grey Towers National Historic Site, the Dutot Museum, Dingman/Delaware and Walpack Historical Societies.  A contributing writer for Pocono Living Magazine, she writes articles about the art and history of the Pocono region. A local history enthusiast, one of her favorite subjects is Gifford Pinchot. Having painted a number of images of him, she enjoys informing people of his great achievements as America’s ‘First Conservationist’, the first Chief of the US Forest Service, (working with Pres. Teddy Roosevelt to establish, increase and enhance US Forest and Park lands) and two-time Governor of Pennsylvania. She has been a member of the ARTery co-operative gallery in Milford, PA for 12 years, where she exhibits her paintings.  She also serves as its Director and Curator, working to provide an excellent forum for regional artists and collaborate with local organizations to create exhibits that engage the community and educate visitors about the region. Educated in the Fine Arts at the Rocky Mountain College of Art and Design in Denver, CO; she returned to the Northeast to be in the landscape that she feels a kinship with. She was co-owner of the Star Gallery in Middletown, NY for 11 years before relocating to Milford. 


COPYRIGHT

Copyright ©  Marie Liu.  All rights reserved.      The NJ Highlands Coalition respects the rights of all artist and copyright holders.  Consequently, all works that appear on this website do so with the  consent of the artist/s or the copyright holder.    No image or  information display on this site may be reproduced, transmitted or  copied (other than for the purposes of fair dealing, as defined in the  Copyright Act 1968) without the express written permission of The NJ Highlands Coalition and the artist.  Contravention is an infringement of the Copyright Act and its  amendments and may be subject to legal action 


CONTACT  

NJ Highlands Coalition 508 Main Street , Boonton, NJ 07005    

PHONE:  973-910-2400     

EMAIL:  highlandsart@njhighlandscoalition.org

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MARIE LIU - Midnight Forests

Midnight Forests

Marie Liu

Oil

28"h x 20"w

Price


ABOUT THIS PAINTING

Describes how Teddy Roosevelt and Milfords own Gifford Pinchot (first Chief of the US Forest Service) cleverly secured millions of acres as National Forest before the Congress was to take away that power from the President. 


BIO

Delaware River Valley, it’s creeks, woods scenes and waterfalls provide painter Marie Liu with endless inspiration. Since moving to the Poconos over a decade ago, she has dedicated herself entirely to exploring it’s landscape and history. Vast tracts of public land, protected by State and Federal agencies, enable access to areas that are unique treasures and makes the region a perfect place for a landscape painter. Her paintings serve as a tribute to those that work to protect these areas for the public benefit. As Resident Artist for the Delaware Water Gap National Recreation Area from 2015-16, she focused on interpreting the scenery and history of the Park area for exhibits in the visitors centers. She also researched the history of art of the Minisink region and artists that lived within it and delivers this presentation throughout the area, including the Zimmermann House, Grey Towers National Historic Site, the Dutot Museum, Dingman/Delaware and Walpack Historical Societies.  A contributing writer for Pocono Living Magazine, she writes articles about the art and history of the Pocono region. A local history enthusiast, one of her favorite subjects is Gifford Pinchot. Having painted a number of images of him, she enjoys informing people of his great achievements as America’s ‘First Conservationist’, the first Chief of the US Forest Service, (working with Pres. Teddy Roosevelt to establish, increase and enhance US Forest and Park lands) and two-time Governor of Pennsylvania. She has been a member of the ARTery co-operative gallery in Milford, PA for 12 years, where she exhibits her paintings.  She also serves as its Director and Curator, working to provide an excellent forum for regional artists and collaborate with local organizations to create exhibits that engage the community and educate visitors about the region. Educated in the Fine Arts at the Rocky Mountain College of Art and Design in Denver, CO; she returned to the Northeast to be in the landscape that she feels a kinship with. She was co-owner of the Star Gallery in Middletown, NY for 11 years before relocating to Milford. 


COPYRIGHT

Art Copyright ©  Marie Liu.  All rights reserved.      

The NJ Highlands Coalition respects the rights of all artist and copyright holders.  Consequently, all works that appear on this website do so with the  consent of the artist/s or the copyright holder.    No image or  information display on this site may be reproduced, transmitted or  copied (other than for the purposes of fair dealing, as defined in the  Copyright Act 1968) without the express written permission of The NJ Highlands Coalition and the artist.  Contravention is an infringement of the Copyright Act and its  amendments and may be subject to legal action 


CONTACT

 NJ Highlands Coalition 508 Main Street , Boonton, NJ 07005   

PHONE:  973-910-2400    

EMAIL:  highlandsart@njhighlandscoalition.org

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DORIS ETTLINGER - Artist Information p. 2

CURRICULUM VITAE 


Education: M.F.A. University of Wisconsin, Madison, Wisconsin, 1977 

M.A. University of Wisconsin, Madison, Wisconsin, 1976 

B.F.A  Rhode Island School of Design, 1973 


Professional Experience: 

2009 - 2021 Teacher/Coach of the Musconetcong Watercolor Group 

2016 - Watercolor Workshop instructor at The Center for Contemporary Art, Bedminster  

1998 - 2009 - Design and Drawing Teacher - Art at the Mill 1992 - present - Illustrator in the children’s market, represented by Cornell & McCarthy, (now Cornell & Co.) Bibliography includes 40 picture books (see below). 

1977 - 1992 - Freelance Illustrator, NYC. Clients included The New York Times, Forbes, American Express, and many other publications. 


Recent Exhibitions

2017 - 2021 - Tewksbury Historical Society, Oldwick, NJ - Annual Juried Exhibition 

2015 - 2021 - Garden State Watercolor Society, Annual Juried Exhibition 

2020/21 - New Jersey Watercolor Society, Annual Juried Exhibitions 

2018 - 2021 - Center for Contemporary Art Members’ Juried Shows 

2019/21 - Highlands Juried Art Exhibition, 3rd prize 

2010 - 2021 - BiAnnual Exhibits of the Musconetcong Watercolor Group, Lebanon Twp. Museum, Hampton NJ 2021 - The 37/38th Ellaraslie Open, Trenton, NJ 

2020 - Solo Exhibit, Warren County Community College, Washington, NJ 2019 - Studio Montclair, Viewpoints 2019, 22nd Annual Open, Honorable Mention 

2019 - Center for Contemporary Art Faculty Show @ Art Alliance of Monmouth County 

2018 - Somerset Cty. Chamber of Commerce, 2-Person Exhibit w Michael McFadden 

2014/16/18 - R. Michelson Gallery, Annual Children’s Illustration, Northampton MA 

2017 - Storybook Style - Group Show, Morris Museum  

2016/17 - Philadelphia Sketch Club, Flower Show, Honorable Mention 2016 


Selected Honors and Awards: 

Dagmar Tribble Memorial Award, Garden State Watercolor Society, 2020 

First Place Florals, Tewksbury Historical Society, 2019 

Award of Excellence, GSWS, 2017 

Ruth Hutchins Memorial Award, GSWS, 2016 

Winsor & Newton Merit Award, GSWS, 2015 

First Prize, High Bridge Paint Out, 2013 


Member of the Following Organizations: 

The Center for Contemporary Art, Bedminster NJ

Garden State Watercolor Society;  New Jersey Watercolor Society

Society for Children’s Book Writers and Illustrators. 


CLICK HERE for Bibliography of Children's Books (or scroll down)


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DORIS ETTLINGER - Artist Information p. 3

Bibliography of Children's Books


Sleeping Bear Press:  

G is for Garden State: A New Jersey Alphabet (2004) by Eileen Cameron (NJ Center for the Book 2005 National Book Festival’s featured book) 

T is for Teacher: A School Alphabet Book ( 2006) by Steven & Diane Layne (Learning Magazine Teacher’s Choice Award 2006) 

The Orange Shoes (2007) by Trinka Hakes Noble (International Reading Association Teacher’s Choice Award 2008) 

Number 1 Teacher: A School Counting Book (2008) by Steven & Diane Layne  

A Book for Black-eyed Susan (2011) by Judy Young 

S is for Sea Glass: A Beach Alphabet (2014) by Richard Michelson 

The Legend of Sea Glass (2016) by Trinka Hakes 

Noble Aim for the Skies: Jerrie Mock and Joan Merriam Smith's Race to Complete Amelia Earhart's Quest (2018) by Aimée Bissonette 


Mascott Books: 

Rupert's Parchment: Story of Magna Carta (2015) by Eileen Cameron 


Albert Whitman & Co. 

Pilgrim Cat (2004) by Carol Antoinette Peacock 

Morris & Buddy: The Story of the First Seeing Eye Dog (2007) by Becky Hall 

Abe Lincoln Loved Animals (2008) by Ellen Jackson 


Ideals Publications: 

Memories of the Manger (2005) by Michelle Medlock Adams 

The Secret of the Red Shoes (2006) by Joan Donaldson 


HarperCollins Christian Publishing: 

The Catholic Book of Bible Stories (Zonderkidz, 2003) Laurie Lazzaro Knowlton 

God’s Blessings Story Bible (Zonderkidz, 2004) Laurie Lazzaro Knowlton 


Simon & Schuster: 

Brave Kids:  Cora Frear (Aladdin Books, 2002) by Susan E. Goodman 

Brave Kids:  Robert Henry Hendershot (Aladdin Books, 2003) by Susan E. Goodman 

Brave Kids:  Hazelle Boxberg (Aladdin Books, 2004) by Susan E. Goodman 

Pigeon Hero (Aladdin Books, 2003) by Shirley Raye Redmond (Oppenheim Toy Portfolio Gold List Award 2004)  


HarperCollins Little House Program based on the books of Laura Ingalls Wilder: 

A Little House Birthday (1997) 

Sugar Snow (1998) 

Laura’s Little House - a lift the flap book 

Laura’s Christmas - a lift the flap book 

My Little House Book of Animals 

My Book of Little House Paper Dolls - A Day on the Prairie 

My Book of Little House Christmas Paper Dolls - Christmas on the Prairie 

Chapter Books adapted from The Caroline Years books by Maria D. Wilkes: 

Brookfield Days (1999)

Caroline and Her Sister (2000) 

Frontier Family (2000) 

Brookfield Friends(2000) 

A New Little Cabin (2001) 


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SETH RUGGLES HILER - Grace in Yellow and Green

Grace in Yellow and Green 

Seth Ruggles Hiler 

oil on canvas 

28"h x 40"w including frame  

$3,500

Copyright Seth Ruggles Hiler


ARTIST STATEMENT:  

Every time I return back to the farm where I grew up in Rockaway Township, New Jersey, I am stuck by the vibrant colors, dynamic compositions and energy which are present in every direction I look. It's about how the light and the atmosphere affect how I take in these familiar sites in new ways, with every glance. I am rooted in this earth, but the shifting colors and compositions the shadows create lift me far above where my feet are planted.


ART COPYRIGHT © Seth Ruggles Hiler, All Rights Reserved.   

NJ Highlands Coalition 508 Main Street , Boonton, NJ 07005      

PHONE:  973-910-2400       

EMAIL:  highlandsart@njhighlandscoalition.org 






BIO

Seth Ruggles Hiler is influenced by the geography and communities of his surroundings, whether at home in Brooklyn or painting in the Catskill Mountains and beyond. He creates and records connections to people and place through his art. Seth paints portrait series which reveal the character and identity of subjects, while sharing the collective spirit that quilts their individuality together. He also focuses on painting the light and composition of nature within the American landscape, from the views of his travels en plein air and his photography when in the studio.  ​


Seth received a BFA from Syracuse University in 2002 and an MFA from the New York Academy of Art in 2005. He is the Assistant Professor of Visual Arts at Bard High School Early College Manhattan and has taught portraiture at the Fashion Institute of Technology. Seth is currently the Artist in Residence at Bushwick Abbey in Brooklyn where he is a leader in creating and curating art projects which bring together local artists to build and strengthen connections in his community.  The artist’s work is exhibited in solo and group exhibitions at galleries and institutions throughout the northeast and beyond. He currently has a landscape exhibition hanging at the United Nations Global Headquarters in Manhattan.   He recently exhibited 60 paintings from his last two decades of work in “Un-Paralled: The Journeys of Bob Hill and Seth Ruggles Hiler” at the Art Institute at Maplebrook, Amenia, New York.


His solo exhibitions have also included “NJ Emerging Artists Series: Seth Ruggles Hiler-Portraits” at the Monmouth Museum in Lincroft, NJ, “East of Orange” at Bergen College in NJ, “Faces of Sage” at the SAGE Center in Chelsea, “Portraits on Pine Street” at Gallery 73 See in Montclair, NJ,“STUDIO VISITS” at DUO Multicultural Center in Manhattan, and “Transitions” at the ANNEX Arts Space and “Painting America” at Throne in Brooklyn.

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MARK DE MOS - Tempe Wick Fence, Jockey Hollow

Tempe Wick Fence, Jockey Hollow  

Mark de Mos  

watercolor  

18"h x 22"w  $400

Copyright Mark de Mos







Mark de Mos

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JANE BIRON - Swamp Slug

Swamp Slug

Jane  Biron

Electric Fired Ceramic Sculpture  

10"L X 5"W X2"H

$200


ARTIST STATEMENT

A younger me was fearful of centipedes and slugs. The new and older me has grown to appreciate all of nature and what she has to offer!


ART COPYRIGHT

Copyright © Jane Biron, All Rights Reserved.   

NJ Highlands Coalition 508 Main Street , Boonton, NJ 07005      

PHONE:  973-910-2400       

EMAIL:  highlandsart@njhighlandscoalition.org 

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SHIRLEY SLUSHER - Treasures of Nature, Musconetcong River

Treasures of Nature, Musconetcong River

Shirley Slusher

egg tempera and oil    

24"h x 18"w

$200


ARTIST STATEMENT

"Nature's Treasures", was done at one of our  favorite places on the Musconetcong River between Morris and Warren  Counties.  Receiving its name from the Delaware Indians, and meandering  for 45+ miles through New Jersey, it has become one of our national  treasures and is considered a scenic and wild tributary of the Delaware  River.  Breathtakingly beautiful flora and magnificent hills along  attractive stretches of water have made for great interest in fishing and  water sports.  The Musconetcong delights visitors and local populations  alike and is truly one of Nature's Treasures.  


ART COPYRIGHT

Copyright © Shirley Slusher, All Rights Reserved.   

NJ Highlands Coalition 508 Main Street , Boonton, NJ 07005      

PHONE:  973-910-2400       

EMAIL:  highlandsart@njhighlandscoalition.org 

 I am enraptured by life, especially nature. I love bringing  beauty to those who view my work and it is my hope that viewers are  fascinated by the feeling of peace that nature can generate.  

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PAULA PEARL - Cow Crossing

 Cow Crossing

Paula Pearl

pastel

$1,200

8"h x 22"w   ( (19" x 23" framed)

Copyright © Paula Pearl


ARTIST STATEMENT

After growing up in Newburgh, NY, I started my art career seeing life through a lens.  I graduated from Syracuse University with a Bachelor or Science in Advertising Design/Photography.  Though I’ve recently spent much of my creative time working in pastel and oils, my photography background has had a strong influence on the lighting and compositions of my paintings.  I have been drawn to scenes that show a quiet place, serene and sometimes ethereal, that comes form my love of nature and my admiration of the beauty all around us.  


My recent work often features birds or animals incorporated into a landscape.  I can spend hours watching the waves and seagulls on the beach or searching the countryside for the perfect scene, often one including cows.  I continue to exhibit frequently in indoor and outdoor shows in the Tri-state area, and may of my paintings, fiber art and photographs are in private collections.  Two of my images featuring animals were in national art magazines in 2017 – Pastel Journal’s Pastel 100 and The Artist’s Magazine Competition Spotlight April 2017.   


ART COPYRIGHT

 COPYRIGHT   Copyright ©  Paula Pearl.  All rights reserved.        

The NJ Highlands Coalition respects the rights of all artist and copyright holders.  Consequently, all works that appear on this website do so with the  consent of the artist/s or the copyright holder.    No image or  information display on this site may be reproduced, transmitted or  copied (other than for the purposes of fair dealing, as defined in the  Copyright Act 1968) without the express written permission of The NJ Highlands Coalition and the artist.  Contravention is an infringement of the Copyright Act and its  amendments and may be subject to legal action     


CONTACT   NJ Highlands Coalition  508 Main Street , Boonton, NJ 07005    

 PHONE:  973-910-2400     

EMAIL:  highlandsart@njhighlandscoalition.org

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JOE KAZIMIERCZYK - From Wyanokie High Point

From Wyanokie High Point

Joe  Kazimierczyk  

oil on canvas  

17 3/4 x 30"  

$1,250 


A lifelong resident of New Jersey, Joe Kazimierczyk (Joe Kaz for short) lives on the Sourland Mountain near Neshanic Station and finds much of his inspiration in the area immediately surrounding his home   Having always been drawn to the beauty of nature, Joe finds most of his subject matter on the hiking and bicycling trips that he loves to take - whether near his home, or further afield.   His painting is a natural extension of his ramblings and explorations of the countryside.   His most recent work reflects his interest in exploring the mountains and forests of northern New Jersey and beyond. Joe has earned his accolades as a self-taught artist and has been exhibiting his work extensively for over 14 years.


AWARDS Purchase Award, 2019 – Trenton City Museum at Ellarslie  

• First Place, Fine Art, 2019 – New York – New Jersey Trail Conference • Honorable Mention, 2013 

•       Lambertville Historical Society 32nd Annual, Robert Beck Gallery  

• 2nd Place People's Choice, 2012 - Artsbridge Members' Show  

• 1st Place in Painting, 2011 - 17th Annual Artsbridge Juried Show 

• Juror's Choice & Honorable Mention, 2011 - Annual Hillsborough Art Exhibition, Hillsborough Cultural Arts Commission  

• Selection Award - 2010 - Gallery 24/7, Somerset County Cultural Heritage Commission  

• Best in Show, 2010 - 6th Annual  Art Exhibition, Hillsborough Cultural and Arts Commission  

• 1st Place, 2009 - Images of the Mills, The Delaware River Mill Society  

• 1st Place, 2009 - 4th Annual Art Festival, Hillsborough Cultural and Arts Commission 

 • 3rd Place, 2009 - Artists of Bristol 3rd Annual Open Exhibition, Lower Bucks Hospital 

• Honorable Mention, 2009 - Lambertville Historical Society 29th Annual, Coryell Gallery  

• 1st Place for Oil Painting, 2008 - The Art of Conservation, Hunterdon Land Trust Alliance  

• Lacey Family Award for small landscape, 2008 - 79th Annual Juried Art Exhibition, Phillips Mill 

 • 2nd Place, 2006 - From Easton to Bristol, Scenes from the Valley, Friends of the Delaware Canal  

• Best in Show, Painting, 2006 - Ellarslie Open XXIV, Trenton City Museum  

• Shaun M. Miller Memorial Award, 2005 - 76th Annual Juried Art Exhibition, Phillips Mill  

• Promotion Selection Award, 2005 - Images of the Mills, The Delaware River Mill Society  

• Purchase Award, 2005 - Mercer Artists, Mercer County Cultural & Heritage Commission   



ART COPYRIGHT

 COPYRIGHT   Copyright © Joe Kazimierczyk.  All rights reserved.        

The NJ Highlands Coalition respects the rights of all artist and copyright holders.  Consequently, all works that appear on this website do so with the  consent of the artist/s or the copyright holder.    No image or  information display on this site may be reproduced, transmitted or  copied (other than for the purposes of fair dealing, as defined in the  Copyright Act 1968) without the express written permission of The NJ Highlands Coalition and the artist.  Contravention is an infringement of the Copyright Act and its  amendments and may be subject to legal action     


CONTACT   NJ Highlands Coalition  508 Main Street , Boonton, NJ 07005    

 PHONE:  973-910-2400     

EMAIL:  highlandsart@njhighlandscoalition.org

 

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JACK QUINN - Sparrow's Perch

Sparrow's Perch

Jack Quinn

acrylic on oak  

 14"h x 12"w    

$1,500

Copyright Jack Quinn


ARTIST'S STATEMENT


I am a design fanatic compelled to create and build things.  Creating art using an untried concept or method is what keeps me energized.   I am at my best (calibrated by a complete loss of time) when I am with a pencil and a blank sheet of paper thinking about a new art project.   Although I enjoy drawing, painting, carving and sculpting in the traditional sense, I also enjoy pushing my artistic boundaries beyond what I perceive as the limits for the medium at hand.  These bouts usually come in waves tempered by a return to traditional drawing and painting.  If I have seen it done before, it does not motivate me the way producing something new using something new does.  Striving to perfect an existing template does not give me the challenge I need or seek.  I am driven to put my own stamp of creativity on it -- not just to be different -- but to produce a work of art using whatever materials and method will get me to the concept I have in mind.  I am by no means a purist when it comes to media – anything goes to get the desired result.


ART COPYRIGHT

 COPYRIGHT   Copyright © Jack Quinn.  All rights reserved.        

The NJ Highlands Coalition respects the rights of all artist and copyright holders.  Consequently, all works that appear on this website do so with the  consent of the artist/s or the copyright holder.    No image or  information display on this site may be reproduced, transmitted or  copied (other than for the purposes of fair dealing, as defined in the  Copyright Act 1968) without the express written permission of The NJ Highlands Coalition and the artist.  Contravention is an infringement of the Copyright Act and its  amendments and may be subject to legal action     


CONTACT   NJ Highlands Coalition  508 Main Street , Boonton, NJ 07005    

 PHONE:  973-910-2400     

EMAIL:  highlandsart@njhighlandscoalition.org

BIO

 Biography:   Jack Quinn is a nationally recognized watercolorist and national award winning wood sculptor.  He has always been drawing, painting, carving and building but has recently combined these disciplines in a new series of art works using wood panels to construct relief and free standing sculptures.  Jack creates original and unique dimensional pieces using the natural wood grain as an additional design element. In addition to his wood-based pieces, Jack continues to push his artistic boundaries with new combinations of materials including natural found objects, collage materials, metals and now the use of electonics in his mixed media art. Jack is a consistent award winner at competitive art shows with over 250 regional awards – many first place and best-in-show prizes -- to his credit.  He has had paintings accepted in both the American Watercolor Society's Annual International Exhibition and the American Artists Professional League Grand National Exhibition - both in New York City.  His paintings have been featured in the NY Times several times and he consistently displays work at the Monmouth Museum. When not at home in Morris Plains with his family, he can be found roaming the regional countryside or trekking through the woods seeking out subject matter for that next painting. Feel free to visit his web site at www.jackquinnart.com or e-mail Jack at designer124@optonline.net .   

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JUDITH LIEBERMAN - July

July 

 Judith Lieberman   

Digital Inkjet Print, Archival Pigment Ink on Crane's Museo Rag Paper  

18"h x 24"w framed  

$1,050


ARTIST'S STATEMENT


My digital prints are usually landscapes, sometimes with a geometric element, such as a house,  or a figure, human or animal, with an emphasis on the sky. Usually the inspiration is something I have actually seen, but sometimes the image is entirely imaginary, and sometimes narrative.  I try to distill and pare down the image to achieve an equivalency to a kind of intensified seeing.  There is an inherent beauty in commonly observed views which I am trying to portray in a fresh and innovative way.  Although my digital prints sometimes look like photographs because of clean edges and shading, they are actually multilayered works which are created using Corel Painter and Adobe Photoshop and printed on a large-format printer in my own studio.  I print small editions of ten or fewer with archival ink on rag paper. 


ART COPYRIGHT

 COPYRIGHT   Copyright © Judith Lieberman.  All rights reserved.        

The NJ Highlands Coalition respects the rights of all artist and copyright holders.  Consequently, all works that appear on this website do so with the  consent of the artist/s or the copyright holder.    No image or  information display on this site may be reproduced, transmitted or  copied (other than for the purposes of fair dealing, as defined in the  Copyright Act 1968) without the express written permission of The NJ Highlands Coalition and the artist.  Contravention is an infringement of the Copyright Act and its  amendments and may be subject to legal action     


CONTACT   NJ Highlands Coalition  508 Main Street , Boonton, NJ 07005    

 PHONE:  973-910-2400     

EMAIL:  highlandsart@njhighlandscoalition.org

BIO

Judith A. Lieberman is a painter, assemblage artist, and digital printmaker.  She holds a BS in Chemistry from TCU, a BA in Art from Cedar Crest College, an MA in Studio Art from NYU, and an MFA in Painting from Bard College.  Judi has taught art classes at Somerset County College (now Raritan Valley Community College), Trenton State College (now The College of New Jersey), and art education classes at Rosemont College.  She supervised student art teachers for Trenton State and Rosemont.  She has also curated several shows. Judi has an exhibition record spanning thirty-nine years, including one-person shows, group shows, juried and selected exhibitions mostly in the New York/New Jersey area.  In 1995, Judi’s interest in science combined with her art ability to produce a body of computer generated digital inkjet prints.  These early prints were small, non-archival (pigment ink wasn’t yet widely available for desktop printers), and printed on 100% cotton paper.  Originally intended as studies for paintings, the early prints have developed into larger and more complicated works done on a large format printer with digital rag paper and archival inks.  After starting out with Painter 2 software, Judi now uses Corel Painter 2020 combined with several versions of Adobe Photoshop to obtain her desired results.  Now retired from teaching, Judi lives with her husband Dr. Joe and makes art in Whitehouse Station, New Jersey. 

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MARK DE MOS - Tempe Wick Fence

Tempe Wick Fence, Jockey Hollow

Mark de Mos

watercolo

18"h x 22"w  

$400

Copyright Mark de Mos


BIO


"My goal is to produce art that is alive, not static and creates a drama, a feeling of a slice of life"


Mark de Mos, one of New Jersey's most respected watercolorists will demonstrate his approach to landscape painting at the Hunterdon Watercolor Society meeting, on Monday, April 14 at the Hunterdon County Library Complex, Bldg. #1, Rte 12 Flemington at 7 p.m. De Mos' demo will feature landscapes created using transparent watercolors and a limited palette.  De Mos' name and his work are known throughout the artistic community of New Jersey and the Northeast. His art is a familiar sight at many regional shows like the NJ Watercolor Society, Garden State Watercolor Society, Salmagundi Club and Baltimore Watercolor Society where he's picked up awards from Best in Show, People's Choice and Award of Excellence many times over. He also holds signature membership in many art societies including the Northeast Watercolor Society and Hudson Valley Art Association to name just a few. In this demo Mark will show how to create a rich watercolor landscape using a limited palette and sedimentary colors. 



ART COPYRIGHT

 COPYRIGHT   Copyright © Mark de Mos.  All rights reserved.        

The NJ Highlands Coalition respects the rights of all artist and copyright holders.  Consequently, all works that appear on this website do so with the  consent of the artist/s or the copyright holder.    No image or  information display on this site may be reproduced, transmitted or  copied (other than for the purposes of fair dealing, as defined in the  Copyright Act 1968) without the express written permission of The NJ Highlands Coalition and the artist.  Contravention is an infringement of the Copyright Act and its  amendments and may be subject to legal action     


CONTACT   NJ Highlands Coalition  508 Main Street , Boonton, NJ 07005    

 PHONE:  973-910-2400     

EMAIL:  highlandsart@njhighlandscoalition.org

BIO

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All art and images on this Web site are Copyright the artists, all rights reserved. No images shall be reproduced under any circumstances.

This Web site content and design are  Copyright © NJ Highlands Coalition - All Rights Reserved.  


 The NJ Highlands Coalition respects the rights of all artist and copyright holders.  Consequently, all works that appear on this website do so with the  consent of the artist/s or the copyright holder.    No image or  information display on this site may be reproduced, transmitted or  copied (other than for the purposes of fair dealing, as defined in the  Copyright Act 1968) without the express written permission of The NJ Highlands Coalition and the artist.  Contravention is an infringement of the Copyright Act and its  amendments and may be subject to legal action.  


CONTACT   NJ Highlands Coalition  508 Main Street , Boonton, NJ 07005       

PHONE:  973-910-2400       

EMAIL:  highlandsart@njhighlandscoalition.org

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