Autumn Lights
Miroslav Vrzala
Photograph
24"h x 30"2
$500
Copyright MIroslav Vrzala*
ARTIST STATEMENT
Even as a young child, I always loved to draw, paint and later on love to take photographs. I find cityscapes and landscapes most interesting. My love for art and the impressionists such as Claude Monet can be seen in my “Autumn Splendor” photograph. This is from Harriman State Park in New York State. My technique is simple, get up early and photograph the early light, this can be both for my landscapes and my cityscapes. You can always sleep later. Just enjoy what you’re doing. With today’s technology, you can take photographs early in the morning, while making your breakfast you can download your photos, process, print, frame and hang your photos all by lunchtime.
COPYRIGHT
Copyright © Miroslav Vrzala, all rights reserved
The NJ Highlands Coalition respects the rights of all artist and copyright holders. Consequently, all works that appear on this website do so with the consent of the artist/s or the copyright holder. No image or information display on this site may be reproduced, transmitted or copied (other than for the purposes of fair dealing, as defined in the Copyright Act 1968) without the express written permission of The NJ Highlands Coalition and the artist. Contravention is an infringement of the Copyright Act and its amendments and may be subject to legal action.
CONTACT NJ Highlands Coalition 508 Main Street , Boonton, NJ 07005
PHONE: 973-910-2400
EMAIL: highlandsart@njhighlandscoalition.org
“Remember, look ahead, look up, look down, look left, look right, don’t forget to look behind, there is always something to photograph.”
West Pond on Bearfort Mountain Charles Dexter
photograph
$400
Copyright © Charles Dexter
ARTIST STATEMENT
Photography allows me to recreate the natural world in the way that I see it and to share it with other people. While I try to isolate and simplify scenes from nature into shapes, color and design, I still want the viewer to feel the wonder and power of the world outside of the frame.
The world is a magnificent place, full of unexpected sources of beauty. We are very fortunate to be living in it. Despite all of the turmoil in the world, we look for our own unique experiences to fill our existence. Being truly alive requires our full focus and attention.
Our experiences can be beautiful or ugly depending on what our circumstances are and what we make of them. People respond to different aspects of the world in different ways. Some people are stimulated by human made environments while others respond to nature. Some people are stimulated by the clash!
I respond to nature. While I also respond to human environments, it is nature that really enthralls me! I am always grateful to be in the presence of natural beauty. Wilderness creates a sense of awe and wonder. Viewing nature, either from a high cliff with a vista, or with macro lens, provides me an endless source of visual inspiration. Through my photographs, I want to show you how wonderful the natural world is.
The camera lens allows me to focus, highlight, isolate, and perhaps exaggerate aspects of the world as I see it. I try to put these elements into a visual form that communicates what I see to you. Even though I try hard to simplify scenes of nature into shapes, color, contrast and design, I also want you to feel the wonder and power of the natural world beyond the frame. I want you to catch your breath, be inspired and, with luck, share my experience of it.
Sometimes scenes in nature remind me of famous paintings I've seen in art history classes that have made a vivid impression on me. Each artist sees the world in a different way. By using techniques of craft, color and composition, artists try to find a visual language to express that way of seeing. Some artists are successful pioneers of visual language, while others work beautifully with accepted ways of communication.
What succeeds, or not, is the basis for lively debate. There is no escaping the fact that my photographic styles are eclectic. I love the 19th century Hudson River School painters who depict grand landscapes, atmospheric weather and light. This famous Catskill Mountain view has been painted and sketched by Thomas Cole, Jasper Francis Cropsey and Sanford Robison Gifford. I am also inspired by the photographic traditions of Ansel Adams and the Sierra Club.
However, I also find impressionist painters, who create a ‘soft focus’ effect, exciting. In this photograph of a cherry tree blossoming in New York City, the technique of multi-exposure in the camera reduces the realistic details of the scene to color, texture and form.
Abstract painters make canvases that are purely about color, shapes and texture. They aren't trying to represent anything in the natural world. Yet abstract forms and patterns do exist in nature. An example can be seen on this lichen covered rock face along a trail in Colorado.
I am grateful to the pioneers of visual language. I learn from the different painting and photographic styles they create. Not only do they demonstrate unique ways of perception that sharpen my vision, they show me how to be even more alert to the wonders of the world around me.
Our world is full of exciting places and things that exist in changing weather and light. We are fortunate there are so many ways to see it all.
COPYRIGHT
Copyright Charles Dexter, All Rights Reserved
Copyright © Paula Pearl. All rights reserved. The NJ Highlands Coalition respects the rights of all artist and copyright holders. Consequently, all works that appear on this website do so with the consent of the artist/s or the copyright holder. No image or information display on this site may be reproduced, transmitted or copied (other than for the purposes of fair dealing, as defined in the Copyright Act 1968) without the express written permission of The NJ Highlands Coalition and the artist. Contravention is an infringement of the Copyright Act and its amendments and may be subject to legal action
CONTACT NJ Highlands Coalition 508 Main Street , Boonton, NJ 07005
PHONE: 973-910-2400
EMAIL: highlandsart@njhighlandscoalition.org
BIO
Charles Dexter’s work is inspired by the photographic traditions of the Sierra Club and his art history courses in college. He is self trained.
He joined the New York City Sierra Club Photography Committee in 1992. His photography is enriched by his continuing association with many of its members and the influence of their work. He is a past chairman of that group.
Charles developed a love for high places, wilderness, and the magic of photography as he explored the high cliffs of the Palisades, north of Alpine, New Jersey. Throughout the four seasons, he kept returning to the same mile and a half length of cliffs.
He sharpened his photographic eye by observing the slow, continuing transformation of light, foliage and weather on the unchanging rock formations over time.
From these cliffs, he discovered a wealth of evolving nature to observe with his camera.
To this day Charles continues his photographic exploration of both vast and intimate landscapes found in the Hudson and Delaware River valley wilderness regions. Since taking an Outward Bound course in Colorado, he also photographs with great passion in the American West.
His solo photography exhibits at Berkeley College in New York City, and at the Greenbrook Sanctuary in Tenafly, NJ, were well received. He also exhibited in many of the NYC Sierra Club Photography Committee group shows.
Charles Dexter’s photographs have been published in Audubon Magazine and by the Atlantic Chapter of the Sierra Club. -His work is also featured on CD album covers for Sonoton Music Productions. He photographed dance performances for Serena Mid East Dance Theater and Multigravitational Aero Dance Group.
He works as a freelance music and sound effects editor for video and film. He graduated from Pratt Institute with a Bachelor of Fine Arts degree in filmmaking and cinematography.
West Pond on Bearfort Mountain Charles Dexter
photograph
$400
Copyright © Charles Dexter
ARTIST STATEMENT
Photography allows me to recreate the natural world in the way that I see it and to share it with other people. While I try to isolate and simplify scenes from nature into shapes, color and design, I still want the viewer to feel the wonder and power of the world outside of the frame.
The world is a magnificent place, full of unexpected sources of beauty. We are very fortunate to be living in it. Despite all of the turmoil in the world, we look for our own unique experiences to fill our existence. Being truly alive requires our full focus and attention.
Our experiences can be beautiful or ugly depending on what our circumstances are and what we make of them. People respond to different aspects of the world in different ways. Some people are stimulated by human made environments while others respond to nature. Some people are stimulated by the clash!
I respond to nature. While I also respond to human environments, it is nature that really enthralls me! I am always grateful to be in the presence of natural beauty. Wilderness creates a sense of awe and wonder. Viewing nature, either from a high cliff with a vista, or with macro lens, provides me an endless source of visual inspiration. Through my photographs, I want to show you how wonderful the natural world is.
The camera lens allows me to focus, highlight, isolate, and perhaps exaggerate aspects of the world as I see it. I try to put these elements into a visual form that communicates what I see to you. Even though I try hard to simplify scenes of nature into shapes, color, contrast and design, I also want you to feel the wonder and power of the natural world beyond the frame. I want you to catch your breath, be inspired and, with luck, share my experience of it.
Sometimes scenes in nature remind me of famous paintings I've seen in art history classes that have made a vivid impression on me. Each artist sees the world in a different way. By using techniques of craft, color and composition, artists try to find a visual language to express that way of seeing. Some artists are successful pioneers of visual language, while others work beautifully with accepted ways of communication.
What succeeds, or not, is the basis for lively debate. There is no escaping the fact that my photographic styles are eclectic. I love the 19th century Hudson River School painters who depict grand landscapes, atmospheric weather and light. This famous Catskill Mountain view has been painted and sketched by Thomas Cole, Jasper Francis Cropsey and Sanford Robison Gifford. I am also inspired by the photographic traditions of Ansel Adams and the Sierra Club.
However, I also find impressionist painters, who create a ‘soft focus’ effect, exciting. In this photograph of a cherry tree blossoming in New York City, the technique of multi-exposure in the camera reduces the realistic details of the scene to color, texture and form.
Abstract painters make canvases that are purely about color, shapes and texture. They aren't trying to represent anything in the natural world. Yet abstract forms and patterns do exist in nature. An example can be seen on this lichen covered rock face along a trail in Colorado.
I am grateful to the pioneers of visual language. I learn from the different painting and photographic styles they create. Not only do they demonstrate unique ways of perception that sharpen my vision, they show me how to be even more alert to the wonders of the world around me.
Our world is full of exciting places and things that exist in changing weather and light. We are fortunate there are so many ways to see it all.
COPYRIGHT
Copyright Charles Dexter, All Rights Reserved
Copyright © Paula Pearl. All rights reserved. The NJ Highlands Coalition respects the rights of all artist and copyright holders. Consequently, all works that appear on this website do so with the consent of the artist/s or the copyright holder. No image or information display on this site may be reproduced, transmitted or copied (other than for the purposes of fair dealing, as defined in the Copyright Act 1968) without the express written permission of The NJ Highlands Coalition and the artist. Contravention is an infringement of the Copyright Act and its amendments and may be subject to legal action
CONTACT NJ Highlands Coalition 508 Main Street , Boonton, NJ 07005
PHONE: 973-910-2400
EMAIL: highlandsart@njhighlandscoalition.org
BIO
Charles Dexter’s work is inspired by the photographic traditions of the Sierra Club and his art history courses in college. He is self trained.
He joined the New York City Sierra Club Photography Committee in 1992. His photography is enriched by his continuing association with many of its members and the influence of their work. He is a past chairman of that group.
Charles developed a love for high places, wilderness, and the magic of photography as he explored the high cliffs of the Palisades, north of Alpine, New Jersey. Throughout the four seasons, he kept returning to the same mile and a half length of cliffs.
He sharpened his photographic eye by observing the slow, continuing transformation of light, foliage and weather on the unchanging rock formations over time.
From these cliffs, he discovered a wealth of evolving nature to observe with his camera.
To this day Charles continues his photographic exploration of both vast and intimate landscapes found in the Hudson and Delaware River valley wilderness regions. Since taking an Outward Bound course in Colorado, he also photographs with great passion in the American West.
His solo photography exhibits at Berkeley College in New York City, and at the Greenbrook Sanctuary in Tenafly, NJ, were well received. He also exhibited in many of the NYC Sierra Club Photography Committee group shows.
Charles Dexter’s photographs have been published in Audubon Magazine and by the Atlantic Chapter of the Sierra Club. -His work is also featured on CD album covers for Sonoton Music Productions. He photographed dance performances for Serena Mid East Dance Theater and Multigravitational Aero Dance Group.
He works as a freelance music and sound effects editor for video and film. He graduated from Pratt Institute with a Bachelor of Fine Arts degree in filmmaking and cinematography.
Edward Fausty
#4423 from NJ Landscape/Open Book Series
#1 in editon of 10 prints, digital pigment on Arches Text paper
2022
29"h x21"w
$700
Copyright Edward Fausty, All Rights Reserved
Artist Statement for Highlands Exhibit I have been a regular visitor to the woodlands around Boonton, New Jersey since moving here eight years ago. Actually, the woodlands played a central part in that decision. For longer than I can remember, these tranquil yet dynamic areas have helped me reconnect with myself, especially when I lived in more urban areas. Making photographs has been a way of recording the wholeness I feel in the woods, surounded by natural cycles of life and death. Photographs are also an excuse for working with one of my favorite materials: paper. These prints are made on Arches Text, a cotton fine art paper with beautiful surface of fibers, not covered up by an inkjet coating. These papers do require special attention in the digital printing process. The prints have been sewn to a backing board, much like book signatures are sewn into bindings. I do this because it calls attention to the actual paper, and because there is something mysterious and exciting about opening a book. This accentuates the feelings I already have about looking at a pictures in general. Edward Fausty February, 2022
ABOUT EDWARD FAUSTY
Deeply influenced by his undergraduate work with Joel Meyerowitz at The Cooper Union and graduate work with Richard Benson at Yale University, his direction and evolution over the decades has been largely independent of these early academic influences, resulting in numerous distinct but concentrated bodies of work all visible on www.edwardfausty.com : scanned polaroid negatives of sprouting plants; progressively blurred self portraits (collotypes) printed on a letterpress; pictures made with a view camera from within an incubator; mountains of north central Norway; artists’ studios at a factory in Jersey City; views of the land and sky at night; and intimate/global circular views of the forest. In all these projects, the print and paper have anchored the work in the classic tradition of the fine print. Fausty’s work is represented in such collections as The Canadian Center for Architecture, The George Eastman House, The U.S. Library of Congress, Pfizer Corporation, Yale University and others. He has exhibited work at Princeton University (Atelier Fellowship with Accra Shepp), The Brooklyn Museum of Art, Gallery Bi Damas in Japan, Paul Sharpe, DM Contemporary and Carter Burden Galleries in New York City, The World Theatre Festival in Nancy, France, and Inquiry Art Gallery in Boonton, New Jersey. His series Next Frontier: the Land and the Night Sky has been featured at the Hunterdon Art Museum in Clinton, NJ, the Lewis K. Meisel Gallery in New York City, and the Visual Arts Center of NJ. Fausty has also received NYFA and NEA fellowships working with Brian Rose on a project documenting Manhattan’s Lower East Side.
EDUCATION
MFA Photography, Yale School of Art, 1986
Studies with printer and MacArthur Fellow Richard Benson, inspired by his photo-lithographs.
Studies with Tod Papageorge, Joel Sternfeld.
BFA, Cooper Union School of Art, 1979
Studies with printer Norman Sanders who later suggests collotype as a photomechanical process.
Studies with Joel Meyerowitz; immersion in his large & small format color work and sensiblity.
Studies with sculptors Christopher Wilmarth and Reuben Kadish.
ART COPYRIGHT © Edward Fausty, All Rights Reserved.
NJ Highlands Coalition 508 Main Street , Boonton, NJ 07005
HONE: 973-910-2400
READ MORE ABOUT EDWARD FAUSTY, INCLUDING:
Solo and Two-person Exhibitions
Selected Group Exhibitions
Selected Collections
Curatorial Work
Bibliography
CURRENT PROJECT
Artist’s Book Worlds
Worlds is a compilation of images from the photographic series of the same name. If you are interested in purchasing a copy, email me with Worlds as the subject of the email. I will notify you when the final version is available. It will likely be the same size but more durable and hard bound. When it’s available, I will have more detailed information as to pricing. Emailing me will not entail any obligation on your part; it just means you’ll be made aware when it’s available. Thanks for your interest. Edward Fausty November, 2021 edward@edwardfausty.com tel: 551-358-3847 em: edward@edwardfausty.com www.edwardfausty.com Edward Fausty Studio 1290 Birch St. Boonton, NJ 07005
SOLO AND TWO-PERSON EXHIBITIONS
Nimbus Dance Works, Jersey City, NJ, [Site/Moment], two-person show with Winifred McNeill, curated by Kerry Kolenut, 2018
Inquiry Art Gallery, Boonton, NJ, Worlds, 2018
Carter Burden Gallery, New York City, Many Worlds (Handmade folding artist’s book) October, 2017 Unitarian Universalist Fellowship, Morristown, NJ, Worlds, 2017
Prana Yoga, Denville, NJ, Next Frontier, ten night sky prints, 2016
The Drawing Rooms, Jersey City, NJ, The Nature of Things, eight night sky prints, 2016
Carter Burden Gallery, New York City, The Night, 15 Prints from Next Frontier series, 2015
Silverman, Hamilton Square, Jersey City, NJ, A Fragile Utopia: the Days of 111 First Street, 23 prints, 2015
The Drawing Rooms Circle, Jersey City, NJ, two-person exhibit with Feng Xiao Liu, prints from Moving Mountains and Chinese calligraphy, 2014
The Art House, Jersey City, NJ, two person exhibit, prints from Moving Mountains, 2014
The Drawing Rooms, Jersey City, NJ, circular images from the woods, 2014
Louis K. Meisel Gallery, New York City, 26 prints from the Next Frontier series, Land and Night Sky, 2013
Tachair Gallery, Jersey City, NJ, 15 large prints from A Fragile Utopia, 2012
The Drawing Rooms, Jersey City, NJ, 7 prints from the Camera Vision series, 2012
Hunterdon Art Museum, Clinton, NJ, Next Frontier: the Land and the Night Sky, spring, 2011
Sawadee Gallery, Jersey City, NJ, Vantage Point: Views of Manhattan, The Hudson and Hoboken, 2010
Hoboken Historical Museum, One View, Endless Variety, The Hudson from Atop The Palisades, 2009
Sawadee Gallery, Jersey City, NJ, The Final Frontier, land and star scapes, 2009
Bernstein Gallery, Princeton University, A Fragile Utopia, 111 First Street, 2006
John Meagher Rotunda Gallery at City Hall, Jersey City, A Fragile Utopia, 2005
Hofstetter Arts Center, Martinsville, NJ, Working Towards Unity; printed in ink (collotypes and pigment prints), 2004
Iron Monkey Gallery, Jersey City, NJ, 111 Studio Views, 2004
Tomasulu Gallery, Union County College,111: Rooftop and Studio Views, Nov. '03
Learning Spirit Gallery, Jersey City, ‘Round About the Beginning (Going Back Series), Sept., Oct., 2002, large inkjet self portraits
Hamilton Ale House, Jersey City, Foggy Nights: 111 Rooftops, Jan., 2001
Jersey City Mack-Cali Corp. Artwindows, Space to Create: Views of Artists’ studios at 111 First St., 2001 Federal Hall, New York, 1984: Ektacolor prints from The Lower East Side Project (with Brian Rose)
World Theater Festival, Nancy, France, 1981: Ektacolor prints from The Lower East Side Project
The Henry Street Settlement, Abrons Arts for Living Center, New York, 1981: Ektacolor prints from The Lower East Side Project
SELECTED GROUP EXHIBITIONS
Art Fair 14C Juried Exhibit, 2020
Saint Peter’s University, Jersey City, NJ, Worlds, 2017
DM Contemporary, New York City, 2016
Simons Center for Geometry and Physics, Stonybrook University, NY, Tracking The Cosmos, curated by Alastair R. Noble, prints from Next Frontier, 2014
Compton Gallery, Boonton, NJ, The Collective Curiosity of the Photographic Art, Night Sky images, 2014
2 at The Art house, Jersey City, NJ, Moving Mountains series, 2014
Carter Burden Gallery, Looking Beyond, 2014
The Art Center of New Jersey, For Art's Sake, 13 prints from the Next Frontier Series, 2013
1591 Gallery, Rahway, NJ, Stardust, 6 prints from Next Frontier, 2012
Mayson Gallery, NYC, 7 Prints from Next Frontier, 2012
Mana Fina Arts, Jersey City Studio Tour, Shack Fragment Halftone series, 2011
The Distillery, Jersey City, NJ.: Behold the Lens, Moving Mountains series, 2011 The Jersey City Art Fair, 2009, 2010
Victory Arts Projects at South Street Seaport, New York City, Dreams of a Midsummer Night, (Final Frontier series), 2009
Victory Arts Projects, Jersey City, NJ, Lifecycles, 2008
Victory Arts Projects, Jersey City, NJ, Building Cities, 2008
The Jersey City Artists Studio Tour, City and Sky, 2008
The Jersey City Artists Studio Tour, People Without Clothes, 2008
Northlight Gallery, Arizona State University, Collotypes, 2007
Gallery at Univ. of Texas, San Antonio, Collotypes, 2006
Gallery Bi-Damas, Osaka, Japan, Small Works, ’03, ’04, ‘05
Paul Sharpe Contemporary Art, NYC, Robert Blackburn Memorial, June, ‘03
The U.S. Library of Congress, Creative Space: Prints from the PMW Collection, Jan. ‘03
Brooklyn Museum of Art, Digital Printmaking Now, June, 2001
Bogota Arts Center, Colombia, 1997: collotypes of Taiwan
Hostos Community College, Bronx, NY, 1996: The Power of Prints
Pan Pan Artspace, Taipei, Taiwan, 1995: Printmakers and public lecture
Bloomsburg University, Bloomsburg, PA, 1995: 4 From the Printmaking Workshop
The Center for Book Arts, New York City, 1992: L. Looking, handmade 6-color collotype book
Dallas Museum of Art, Architecture and Its Image, 1990
Canadian Center for Architecture Inaugural, 1989
Museum of Photography at George Eastman House, Rochester, NY
Brooklyn Museum of Art, New York City, 1983: The Great East River Bridge
AWARDS
Art Fair 14c, Jersey City, February 2020, Best in Show Award for Looking Down a Very Dark Road
Princeton University Atelier Program, visiting artist, 2007, with Accra Shepp
Museum of Computer Art (MOCA), July 2001, best in show (online review by Don Archer of Digital Printmaking Now at the Brooklyn Museum of Art)
National Endowment for the Arts (NEA) Survey Grant in Photography, 1983
Creative Artists Program Services (CAPS) (later NYFA) grant, 1981 Hudson River Museum Annual, 1979
CURATORIAL WORK
- Co-curator of About Photography exhibit (with Robert Kosinski), 2007, Victory Hall Cultural Center, Jersey City, NJ
- Curator of Beauty of Big at Victory Hall, 2002, exhibit of large scale painting, installations, drawing, photography, and digital printing.
BIBLIOGRAPHY
Review of Art Fair 14C Juried Exhibit, 2020, by Tris McCall Asbury Park Press (App.com) review of Stardust, Rahway Exhibit Revels in Heavenly Sights The Left Bank Art Blog, June 19, 2011, Next Frontier review by Charles Kessler The Star Ledger, Fausty Photos of the Night at Hunterdon, Dan Bischoff, review of the Next Frontier Exhibit ,April, 2011 11 minute video tour of Next Frontier at Hunterdon Art Museum The Tris McCall Report, online review of A Fragile Utopia solo exhibit, 2005 MOCA, Museum of Computer Art, online review of Digital Printmaking Now exhibit at Brooklyn Museum, 2001 The Record, June 20, 2003, A Warehouse of Diverse Art The Jersey Journal, Jan. 2001, Cat’s-eye View of Art Studios The New York Times, Vivien Raynor, July 7, 1996, A Print Show By 12 Workshop Members The Union Daily (Taipei, Taiwan, in chinese), Jan.1995, Printing and Light Come Together describing exhibition and lecture given at Pan Pan Artspace. (article in Chinese) The Jersey Journal, May, 1992, Cannibalism describing group show of that name Canadian Center for Architecture, MIT Press, 1989, Architecture and its Image museum catalog The Village Voice, Oct. 2, 1984, Lower Manhattan Sy Rubin, ed., The Henry Street Settlement, New York, 1981, The Lower East Side Artforum Magazine, Sept., 1981, Ed Fausty, Brian Rose The New York Times, May 8, 1981, The Lower East Side: A Contemporary Portrait in Photographs
Foggy Crossing
Angelo Marcialis
photograph
$500
Copyright © Angelo Marcialis
ARTIST STATEMENT
The Three Bridges (including the Bear Mountain Bridge) is one the most sought after iconic captures in the Hudson Valley, NY. I have captured this scene many times, covering all the seasons over the years. I hadn't been here in awhile, and I wanted to see what my old friend was up to this foggy morning. Checking the weather forecast the day before, I knew that a warm front laden with moisture was coming to the Hudson Valley, and with the waters of the Hudson River still running cool, I knew it was going to be the perfect setup for this type of atmospheric conditions. As you can tell by this capture, I was not disappointed!
My artistic vision, first thru Music and now Photography, is to bring and share light to the world that I live in. Regardless of the artistic endeavor, it is the creativity that keeps me vibrant, relevant and alive! I am honored to be able to offer my photography of the beautiful Hudson Valley in New York and beyond
COPYRIGHT
Copyright © Angelo Marcialis, all rights reserved CONTACT for sale or copyright © information, etc. highlandsart@njhighlandscoalition.org or 973-910-2400 The NJ Highlands Coalition respects the rights of all artist and copyright holders. Consequently, all works that appear on this website do so with the consent of the artist/s or the copyright holder. No image or information display on this site may be reproduced, transmitted or copied (other than for the purposes of fair dealing, as defined in the Copyright Act 1968) without the express written permission of The NJ Highlands Coalition and the artist. Contravention is an infringement of the Copyright Act and its amendments and may be subject to legal action.
CONTACT NJ Highlands Coalition 508 Main Street , Boonton, NJ 07005
PHONE: 973-910-2400
EMAIL: highlandsart@njhighlandscoalition.org
BIO
Retired from a rewarding career as a Music Educator, Angelo has turned his creative muse towards the realm of Landscape Photography. His photographic proficiency has achieved the same creative level that he enjoyed in his music career.
In just a few years, Angelo’s landscape photographs have been featured on various websites, social media platforms, magazines, travel guides, newspapers and newsletters. They have been used for raffle items at fundraising functions, and have been awarded in adjudicated exhibitions in the Tri-State Area as well.
Star Trail
Dennis Maida
Photograph
8"h x 10"w Framed
$350
Copyright Dennis Maida
ARTIST STATEMENT:
I set out one warm evening to capture the Milky Way over the Appalachian Trail Boardwalk in Vernon NJ area. The light pollution from NYC was much greater than I thought it would be however, the fog in the air actually diffused it a bit, also giving Jupiter and Saturn a glow boost.
Copyright © Dennis Maida, all rights reserved
COPYRIGHT CONTACT: NJ Highlands Coalition 508 Main Street Boonton, NJ 07005 Phone (973) 588-7190 Fax (973) 588-7193 E-mail: highalndsart@njhighlandscoalition.org
The NJ Highlands Coalition respects the rights of all artist and copyright holders. Consequently, all works that appear on this website do so with the consent of the artist/s or the copyright holder. No image or information display on this site may be reproduced, transmitted or copied (other than for the purposes of fair dealing, as defined in the Copyright Act 1968) without the express written permission of The NJ Highlands Coalition and the artist. Contravention is an infringement of the Copyright Act and its amendments and may be subject to legal action.
Iona Island Marsh
Debra Wallace
Photograph
13" x19" print 17" x 24" matted & framed
$385
Copyright Debra Wallace*
ARTIST STATEMENT
Iona Island is located in the Midst of the Hudson Valley near Bear Mountain State Park, Stony Point, NY.
*COPYRIGHT
Copyright © Renelle Lorray, all rights reserved
The NJ Highlands Coalition respects the rights of all artist and copyright holders. Consequently, all works that appear on this website do so with the consent of the artist/s or the copyright holder. No image or information display on this site may be reproduced, transmitted or copied (other than for the purposes of fair dealing, as defined in the Copyright Act 1968) without the express written permission of The NJ Highlands Coalition and the artist. Contravention is an infringement of the Copyright Act and its amendments and may be subject to legal action.
CONTACT NJ Highlands Coalition 508 Main Street , Boonton, NJ 07005
PHONE: 973-910-2400
EMAIL: highlandsart@njhighlandscoalition.org
After the Harvest
Marv Kaminsky
Photograph
24"h x 30"2
$500
Copyright MIroslav Vrzala*
ARTIST STATEMENT
Photography is my passion. I have been doing photography both professionally and as a hobby for almost 50 years. My work has received numerous awards both nationally and internationally and has been published in magazines and calendars. The image in this exhibit is a photograph digitally captured and printed on archival fine art paper with archival pigment inks. “After The Harvest” is of what appeared to me to be a cornfield that had been harvested in Warren County. I was attracted to it by the fence leading out to the single tree. The sky and clouds were made more dramatic in post processing. I thought the scene had the qualities of tonality, textures, and shapes for a black & white image.
COPYRIGHT
Copyright © Marv Kaminsky. All rights reserved
The NJ Highlands Coalition respects the rights of all artist and copyright holders. Consequently, all works that appear on this website do so with the consent of the artist/s or the copyright holder. No image or information display on this site may be reproduced, transmitted or copied (other than for the purposes of fair dealing, as defined in the Copyright Act 1968) without the express written permission of The NJ Highlands Coalition and the artist. Contravention is an infringement of the Copyright Act and its amendments and may be subject to legal action.
CONTACT NJ Highlands Coalition 508 Main Street , Boonton, NJ 07005
PHONE: 973-910-2400
EMAIL: highlandsart@njhighlandscoalition.org
Autumn Dress
Renelle Lorray
Photograph
18"h x 24"w
$295
Copyright Renelle Lorray*
ARTIST STATEMENT
This magnificent tree is on the Long Pond Ironworks Historic site in Ringwood near a deteriorating old house that likely belonged to an iron forge worker. The tree's grace and amazing color transition from pale green to intense orange throughout the autumn season bring me back year after year to capture it.
COPYRIGHT
Copyright © Debra Wallace, all rights reserved
The NJ Highlands Coalition respects the rights of all artist and copyright holders. Consequently, all works that appear on this website do so with the consent of the artist/s or the copyright holder. No image or information display on this site may be reproduced, transmitted or copied (other than for the purposes of fair dealing, as defined in the Copyright Act 1968) without the express written permission of The NJ Highlands Coalition and the artist. Contravention is an infringement of the Copyright Act and its amendments and may be subject to legal action.
CONTACT NJ Highlands Coalition 508 Main Street , Boonton, NJ 07005
PHONE: 973-910-2400
EMAIL: highlandsart@njhighlandscoalition.org
All art and images on this Web site are Copyright the artists, all rights reserved. No images shall be reproduced under any circumstances.
This Web site content and design are Copyright © NJ Highlands Coalition - All Rights Reserved.
Highlands Art 973-910-2400
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