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MIROSLAV VRZALA - Autumn Lights

Autumn Lights  

Miroslav Vrzala  

Photograph  

24"h x 30"2  

$500

Copyright MIroslav Vrzala*


ARTIST STATEMENT


Even as a young child, I always loved to draw, paint and later on love to take photographs. I find cityscapes and landscapes most interesting.  My love for art and the impressionists such as Claude Monet can be seen in my “Autumn Splendor” photograph. This is from Harriman State Park  in New York State.   My technique is simple, get up early and photograph the early light, this can be both for my landscapes and my cityscapes. You can always sleep later.  Just enjoy what you’re doing. With today’s technology, you can take photographs early in the morning, while making your breakfast you can download your photos, process, print, frame and hang your photos all by lunchtime.   


COPYRIGHT


Copyright ©  Miroslav Vrzala,  all rights reserved  

 The NJ Highlands Coalition respects the rights of all artist and copyright holders.  Consequently, all works that appear on this website do so with the  consent of the artist/s or the copyright holder.    No image or  information display on this site may be reproduced, transmitted or  copied (other than for the purposes of fair dealing, as defined in the  Copyright Act 1968) without the express written permission of The NJ Highlands Coalition and the artist.  Contravention is an infringement of the Copyright Act and its  amendments and may be subject to legal action.  


CONTACT   NJ Highlands Coalition  508 Main Street , Boonton, NJ 07005       

PHONE:  973-910-2400       

EMAIL:  highlandsart@njhighlandscoalition.org


“Remember, look ahead, look up, look down, look left, look right, don’t forget to look behind, there is always something to photograph.” 




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CHARLES DEXTER - West Pond on Bearfort Mountain

West Pond on Bearfort Mountain  Charles Dexter 

 photograph   

 $400  

Copyright © Charles Dexter     


ARTIST STATEMENT


Photography allows me to recreate the natural world in the way that I see it and to share it with other people. While I try to isolate and simplify scenes from nature into shapes, color and design, I still want the viewer to feel the wonder and power of the world outside of the frame.


The world is a magnificent place, full of unexpected sources of beauty. We are very fortunate to be living in it. Despite all of the turmoil in the world, we look for our own unique experiences to fill our existence. Being truly alive requires our full focus and attention.


Our experiences can be beautiful or ugly depending on what our circumstances are and what we make of them. People respond to different aspects of the world in different ways. Some people are stimulated by human made environments while others respond to nature. Some people are stimulated by the clash!


I respond to nature. While I also respond to human environments, it is nature that really enthralls me! I am always grateful to be in the presence of natural beauty. Wilderness creates a sense of awe and wonder. Viewing nature, either from a high cliff with a vista, or with macro lens, provides me an endless source of visual inspiration. Through my photographs, I want to show you how wonderful the natural world is.  


The camera lens allows me to focus, highlight, isolate, and perhaps exaggerate aspects of the world as I see it. I try to put these elements into a visual form that communicates what I see to you. Even though I try hard to simplify scenes of nature into shapes, color, contrast and design, I also want you to feel the wonder and power of the natural world beyond the frame. I want you to catch your breath, be inspired and, with luck, share my experience of it.


Sometimes scenes in nature remind me of famous paintings I've seen in art history classes that have made a vivid impression on me. Each artist sees the world in a different way. By using techniques of craft, color and composition, artists try to find a visual language to express that way of seeing. Some artists are successful pioneers of visual language, while others work beautifully with accepted ways of communication.


What succeeds, or not, is the basis for lively debate. There is no escaping the fact that my photographic styles are eclectic. I love the 19th century Hudson River School painters who depict grand landscapes, atmospheric weather and light. This famous Catskill Mountain view has been painted and sketched by Thomas Cole, Jasper Francis Cropsey and Sanford Robison Gifford. I am also inspired by the photographic traditions of Ansel Adams and the Sierra Club.


However, I also find impressionist painters, who create a ‘soft focus’ effect, exciting. In this photograph of a cherry tree blossoming in New York City, the technique of multi-exposure in the camera reduces the realistic details of the scene to color, texture and form.


Abstract painters make canvases that are purely about color, shapes and texture. They aren't trying to represent anything in the natural world. Yet abstract forms and patterns do exist in nature. An example can be seen on this lichen covered rock face along a trail in Colorado.


I am grateful to the pioneers of visual language. I learn from the different painting and photographic styles they create. Not only do they demonstrate unique ways of perception that sharpen my vision, they show me how to be even more alert to the wonders of the world around me.


Our world is full of exciting places and things that exist in changing weather and light. We are fortunate there are so many ways to see it all.


COPYRIGHT

Copyright Charles Dexter, All Rights Reserved

Copyright ©  Paula Pearl.  All rights reserved.          The NJ Highlands Coalition respects the rights of all artist and copyright holders.  Consequently, all works that appear on this website do so with the  consent of the artist/s or the copyright holder.    No image or  information display on this site may be reproduced, transmitted or  copied (other than for the purposes of fair dealing, as defined in the  Copyright Act 1968) without the express written permission of The NJ Highlands Coalition and the artist.  Contravention is an infringement of the Copyright Act and its  amendments and may be subject to legal action        


 CONTACT   NJ Highlands Coalition  508 Main Street , Boonton, NJ 07005       

PHONE:  973-910-2400       

EMAIL:  highlandsart@njhighlandscoalition.org


Learn More

BIO


Charles Dexter’s work is inspired by the photographic traditions of the Sierra Club and his art history courses in college. He is self trained.


He joined the New York City Sierra Club Photography Committee in 1992. His photography is enriched by his continuing association with many of its members and the influence of their work. He is a past chairman of that group.


Charles developed a love for high places, wilderness, and the magic of photography as he explored the high cliffs of the Palisades, north of Alpine, New Jersey. Throughout the four seasons, he kept returning to the same mile and a half length of cliffs.


He sharpened his photographic eye by observing the slow, continuing transformation of light, foliage and weather on the unchanging rock formations over time.


From these cliffs, he discovered a wealth of evolving nature to observe with his camera.


To this day Charles continues his photographic exploration of both vast and intimate landscapes found in the Hudson and Delaware River valley wilderness regions. Since taking an Outward Bound course in Colorado, he also photographs with great passion in the American West.


His solo photography exhibits at Berkeley College in New York City, and at the Greenbrook Sanctuary in Tenafly, NJ, were well received. He also exhibited in many of the NYC Sierra Club Photography Committee group shows.


Charles Dexter’s photographs have been published in Audubon Magazine and by the Atlantic Chapter of the Sierra Club. -His work is also featured on CD album covers for Sonoton Music Productions. He photographed dance performances for Serena Mid East Dance Theater and Multigravitational Aero Dance Group.


He works as a freelance music and sound effects editor for video and film. He graduated from Pratt Institute with a Bachelor of Fine Arts degree in filmmaking and cinematography.



Find out more

CHARLES DEXTER - West Pond on Bearfort Mountain

West Pond on Bearfort Mountain  Charles Dexter 

 photograph   

 $400  

Copyright © Charles Dexter     


ARTIST STATEMENT


Photography allows me to recreate the natural world in the way that I see it and to share it with other people. While I try to isolate and simplify scenes from nature into shapes, color and design, I still want the viewer to feel the wonder and power of the world outside of the frame.


The world is a magnificent place, full of unexpected sources of beauty. We are very fortunate to be living in it. Despite all of the turmoil in the world, we look for our own unique experiences to fill our existence. Being truly alive requires our full focus and attention.


Our experiences can be beautiful or ugly depending on what our circumstances are and what we make of them. People respond to different aspects of the world in different ways. Some people are stimulated by human made environments while others respond to nature. Some people are stimulated by the clash!


I respond to nature. While I also respond to human environments, it is nature that really enthralls me! I am always grateful to be in the presence of natural beauty. Wilderness creates a sense of awe and wonder. Viewing nature, either from a high cliff with a vista, or with macro lens, provides me an endless source of visual inspiration. Through my photographs, I want to show you how wonderful the natural world is.  


The camera lens allows me to focus, highlight, isolate, and perhaps exaggerate aspects of the world as I see it. I try to put these elements into a visual form that communicates what I see to you. Even though I try hard to simplify scenes of nature into shapes, color, contrast and design, I also want you to feel the wonder and power of the natural world beyond the frame. I want you to catch your breath, be inspired and, with luck, share my experience of it.


Sometimes scenes in nature remind me of famous paintings I've seen in art history classes that have made a vivid impression on me. Each artist sees the world in a different way. By using techniques of craft, color and composition, artists try to find a visual language to express that way of seeing. Some artists are successful pioneers of visual language, while others work beautifully with accepted ways of communication.


What succeeds, or not, is the basis for lively debate. There is no escaping the fact that my photographic styles are eclectic. I love the 19th century Hudson River School painters who depict grand landscapes, atmospheric weather and light. This famous Catskill Mountain view has been painted and sketched by Thomas Cole, Jasper Francis Cropsey and Sanford Robison Gifford. I am also inspired by the photographic traditions of Ansel Adams and the Sierra Club.


However, I also find impressionist painters, who create a ‘soft focus’ effect, exciting. In this photograph of a cherry tree blossoming in New York City, the technique of multi-exposure in the camera reduces the realistic details of the scene to color, texture and form.


Abstract painters make canvases that are purely about color, shapes and texture. They aren't trying to represent anything in the natural world. Yet abstract forms and patterns do exist in nature. An example can be seen on this lichen covered rock face along a trail in Colorado.


I am grateful to the pioneers of visual language. I learn from the different painting and photographic styles they create. Not only do they demonstrate unique ways of perception that sharpen my vision, they show me how to be even more alert to the wonders of the world around me.


Our world is full of exciting places and things that exist in changing weather and light. We are fortunate there are so many ways to see it all.


COPYRIGHT

Copyright Charles Dexter, All Rights Reserved

Copyright ©  Paula Pearl.  All rights reserved.          The NJ Highlands Coalition respects the rights of all artist and copyright holders.  Consequently, all works that appear on this website do so with the  consent of the artist/s or the copyright holder.    No image or  information display on this site may be reproduced, transmitted or  copied (other than for the purposes of fair dealing, as defined in the  Copyright Act 1968) without the express written permission of The NJ Highlands Coalition and the artist.  Contravention is an infringement of the Copyright Act and its  amendments and may be subject to legal action        


 CONTACT   NJ Highlands Coalition  508 Main Street , Boonton, NJ 07005       

PHONE:  973-910-2400       

EMAIL:  highlandsart@njhighlandscoalition.org


Learn More

BIO


Charles Dexter’s work is inspired by the photographic traditions of the Sierra Club and his art history courses in college. He is self trained.


He joined the New York City Sierra Club Photography Committee in 1992. His photography is enriched by his continuing association with many of its members and the influence of their work. He is a past chairman of that group.


Charles developed a love for high places, wilderness, and the magic of photography as he explored the high cliffs of the Palisades, north of Alpine, New Jersey. Throughout the four seasons, he kept returning to the same mile and a half length of cliffs.


He sharpened his photographic eye by observing the slow, continuing transformation of light, foliage and weather on the unchanging rock formations over time.


From these cliffs, he discovered a wealth of evolving nature to observe with his camera.


To this day Charles continues his photographic exploration of both vast and intimate landscapes found in the Hudson and Delaware River valley wilderness regions. Since taking an Outward Bound course in Colorado, he also photographs with great passion in the American West.


His solo photography exhibits at Berkeley College in New York City, and at the Greenbrook Sanctuary in Tenafly, NJ, were well received. He also exhibited in many of the NYC Sierra Club Photography Committee group shows.


Charles Dexter’s photographs have been published in Audubon Magazine and by the Atlantic Chapter of the Sierra Club. -His work is also featured on CD album covers for Sonoton Music Productions. He photographed dance performances for Serena Mid East Dance Theater and Multigravitational Aero Dance Group.


He works as a freelance music and sound effects editor for video and film. He graduated from Pratt Institute with a Bachelor of Fine Arts degree in filmmaking and cinematography.



Find out more

EDWARD FAUSTY - Wishbone

Edward Fausty 

#4423 from NJ Landscape/Open Book Series

#1 in editon of 10 prints, digital pigment on Arches Text paper

2022

29"h x21"w

$700

Copyright Edward Fausty, All Rights Reserved


 Artist Statement for Highlands Exhibit I have been a regular visitor to the woodlands around Boonton, New Jersey since moving here eight years ago. Actually, the woodlands played a central part in that decision. For longer than I can remember, these tranquil yet dynamic areas have helped me reconnect with myself, especially when I lived in more urban areas. Making photographs has been a way of recording the wholeness I feel in the woods, surounded by natural cycles of life and death. Photographs are also an excuse for working with one of my favorite materials: paper. These prints are made on Arches Text, a cotton fine art paper with beautiful surface of fibers, not covered up by an inkjet coating. These papers do require special attention in the digital printing process. The prints have been sewn to a backing board, much like book signatures are sewn into bindings. I do this because it calls attention to the actual paper, and because there is something mysterious and exciting about opening a book. This accentuates the feelings I already have about looking at a pictures in general. Edward Fausty February, 2022 


ABOUT EDWARD FAUSTY


Deeply influenced by his undergraduate work with Joel Meyerowitz at The Cooper Union and graduate work with Richard Benson at Yale University, his direction and evolution over the decades has been largely independent of these early academic influences, resulting in numerous distinct but concentrated bodies of work all visible on www.edwardfausty.com : scanned polaroid negatives of sprouting plants; progressively blurred self portraits (collotypes) printed on a letterpress; pictures made with a view camera from within an incubator; mountains of north central Norway; artists’ studios at a factory in Jersey City; views of the land and sky at night; and intimate/global circular views of the forest. In all these projects, the print and paper have anchored the work in the classic tradition of the fine print. Fausty’s work is represented in such collections as The Canadian Center for Architecture, The George Eastman House, The U.S. Library of Congress, Pfizer Corporation, Yale University and others. He has exhibited work at Princeton University (Atelier Fellowship with Accra Shepp), The Brooklyn Museum of Art, Gallery Bi Damas in Japan, Paul Sharpe, DM Contemporary and Carter Burden Galleries in New York City, The World Theatre Festival in Nancy, France, and Inquiry Art Gallery in Boonton, New Jersey. His series Next Frontier: the Land and the Night Sky has been featured at the Hunterdon Art Museum in Clinton, NJ, the Lewis K. Meisel Gallery in New York City, and the Visual Arts Center of NJ. Fausty has also received NYFA and NEA fellowships working with Brian Rose on a project documenting Manhattan’s Lower East Side. 


EDUCATION 


MFA Photography, Yale School of Art, 1986

Studies with printer and MacArthur Fellow Richard Benson, inspired by his photo-lithographs. 

Studies with Tod Papageorge, Joel Sternfeld. 

BFA, Cooper Union School of Art, 1979

Studies with printer Norman Sanders who later suggests collotype as a photomechanical process. 

Studies with Joel Meyerowitz; immersion in his large & small format color work and sensiblity. 

Studies with sculptors Christopher Wilmarth and Reuben Kadish. 


READ MORE...


ART COPYRIGHT © Edward Fausty, All Rights Reserved.  

NJ Highlands Coalition 508 Main Street , Boonton, NJ 07005     

HONE:  973-910-2400      

EMAIL:  highlandsart@njhighlandscoalition.org 

READ MORE ABOUT EDWARD FAUSTY, INCLUDING:
Solo and Two-person Exhibitions

Selected Group Exhibitions

Selected Collections

Curatorial Work

Bibliography 


CURRENT PROJECT 

Artist’s Book Worlds   

Worlds is a compilation of images from the photographic series of the same name. If you are interested in purchasing a copy, email me with Worlds as the subject of the email. I will notify you when the final version is available. It will likely be the same size but more durable and hard bound. When it’s available, I will have more detailed information as to pricing. Emailing me will not entail any obligation on your part; it just means you’ll be made aware when it’s available. Thanks for your interest. Edward Fausty November, 2021 edward@edwardfausty.com  tel: 551-358-3847 em: edward@edwardfausty.com www.edwardfausty.com  Edward Fausty Studio 1290 Birch St. Boonton, NJ 07005  

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EDWARD FAUSTY - Artist Info P. 2

SOLO AND TWO-PERSON EXHIBITIONS 


Nimbus Dance Works, Jersey City, NJ, [Site/Moment], two-person show with Winifred McNeill, curated by Kerry Kolenut, 2018 

Inquiry Art Gallery, Boonton, NJ, Worlds, 2018 

Carter Burden Gallery, New York City, Many Worlds (Handmade folding artist’s book) October, 2017 Unitarian Universalist Fellowship, Morristown, NJ, Worlds, 2017 

Prana Yoga, Denville, NJ, Next Frontier, ten night sky prints, 2016 

The Drawing Rooms, Jersey City, NJ, The Nature of Things, eight night sky prints, 2016 

Carter Burden Gallery, New York City, The Night, 15 Prints from Next Frontier series, 2015 

Silverman, Hamilton Square, Jersey City, NJ, A Fragile Utopia: the Days of 111 First Street, 23 prints, 2015 

The Drawing Rooms Circle, Jersey City, NJ, two-person exhibit with Feng Xiao Liu, prints from Moving Mountains and Chinese calligraphy, 2014 

The Art House, Jersey City, NJ, two person exhibit, prints from Moving Mountains, 2014 

The Drawing Rooms, Jersey City, NJ, circular images from the woods, 2014 

Louis K. Meisel Gallery, New York City, 26 prints from the Next Frontier series, Land and Night Sky, 2013

Tachair Gallery, Jersey City, NJ, 15 large prints from A Fragile Utopia, 2012 

The Drawing Rooms, Jersey City, NJ, 7 prints from the Camera Vision series, 2012 

Hunterdon Art Museum, Clinton, NJ, Next Frontier: the Land and the Night Sky, spring, 2011 

Sawadee Gallery, Jersey City, NJ, Vantage Point: Views of Manhattan, The Hudson and Hoboken, 2010

Hoboken Historical Museum, One View, Endless Variety, The Hudson from Atop The Palisades, 2009 

Sawadee Gallery, Jersey City, NJ, The Final Frontier, land and star scapes, 2009 

Bernstein Gallery, Princeton University, A Fragile Utopia, 111 First Street, 2006 

John Meagher Rotunda Gallery at City Hall, Jersey City, A Fragile Utopia, 2005

Hofstetter Arts Center, Martinsville, NJ, Working Towards Unity; printed in ink (collotypes and pigment prints), 2004 

Iron Monkey Gallery, Jersey City, NJ, 111 Studio Views, 2004 

Tomasulu Gallery, Union County College,111: Rooftop and Studio Views, Nov. '03 

Learning Spirit Gallery, Jersey City, ‘Round About the Beginning (Going Back Series), Sept., Oct., 2002, large inkjet self portraits 

Hamilton Ale House, Jersey City, Foggy Nights: 111 Rooftops, Jan., 2001 

Jersey City Mack-Cali Corp. Artwindows, Space to Create: Views of Artists’ studios at 111 First St., 2001 Federal Hall, New York, 1984: Ektacolor prints from The Lower East Side Project (with Brian Rose) 

World Theater Festival, Nancy, France, 1981: Ektacolor prints from The Lower East Side Project 

The Henry Street Settlement, Abrons Arts for Living Center, New York, 1981: Ektacolor prints from The Lower East Side Project 


SELECTED GROUP EXHIBITIONS


Art Fair 14C Juried Exhibit, 2020 

Saint Peter’s University, Jersey City, NJ, Worlds, 2017 

DM Contemporary, New York City, 2016 

Simons Center for Geometry and Physics, Stonybrook University, NY, Tracking The Cosmos, curated by Alastair R. Noble, prints from Next Frontier, 2014 

Compton Gallery, Boonton, NJ, The Collective Curiosity of the Photographic Art, Night Sky images, 2014 

2 at The Art house, Jersey City, NJ, Moving Mountains series, 2014 

Carter Burden Gallery, Looking Beyond, 2014 

The Art Center of New Jersey, For Art's Sake, 13 prints from the Next Frontier Series, 2013 

1591 Gallery, Rahway, NJ, Stardust, 6 prints from Next Frontier, 2012 

Mayson Gallery, NYC, 7 Prints from Next Frontier, 2012 

Mana Fina Arts, Jersey City Studio Tour, Shack Fragment Halftone series, 2011 

The Distillery, Jersey City, NJ.: Behold the Lens, Moving Mountains series, 2011 The Jersey City Art Fair, 2009, 2010 

Victory Arts Projects at South Street Seaport, New York City, Dreams of a Midsummer Night, (Final Frontier series), 2009 

Victory Arts Projects, Jersey City, NJ, Lifecycles, 2008 

Victory Arts Projects, Jersey City, NJ, Building Cities, 2008 

The Jersey City Artists Studio Tour, City and Sky, 2008 

The Jersey City Artists Studio Tour, People Without Clothes, 2008 

Northlight Gallery, Arizona State University, Collotypes, 2007 

Gallery at Univ. of Texas, San Antonio, Collotypes, 2006 

Gallery Bi-Damas, Osaka, Japan, Small Works, ’03, ’04, ‘05

 Paul Sharpe Contemporary Art, NYC, Robert Blackburn Memorial, June, ‘03 

The U.S. Library of Congress, Creative Space: Prints from the PMW Collection, Jan. ‘03 

Brooklyn Museum of Art, Digital Printmaking Now, June, 2001 

Bogota Arts Center, Colombia, 1997: collotypes of Taiwan 

Hostos Community College, Bronx, NY, 1996: The Power of Prints 

Pan Pan Artspace, Taipei, Taiwan, 1995: Printmakers and public lecture 

Bloomsburg University, Bloomsburg, PA, 1995: 4 From the Printmaking Workshop 

The Center for Book Arts, New York City, 1992: L. Looking, handmade 6-color collotype book 

Dallas Museum of Art, Architecture and Its Image, 1990 

Canadian Center for Architecture Inaugural, 1989 

Museum of Photography at George Eastman House, Rochester, NY 

Brooklyn Museum of Art, New York City, 1983: The Great East River Bridge 


AWARDS 


Art Fair 14c, Jersey City, February 2020, Best in Show Award for Looking Down a Very Dark Road 

Princeton University Atelier Program, visiting artist, 2007, with Accra Shepp 

Museum of Computer Art (MOCA), July 2001, best in show (online review by Don Archer of Digital Printmaking Now at the Brooklyn Museum of Art) 

National Endowment for the Arts (NEA) Survey Grant in Photography, 1983 

Creative Artists Program Services (CAPS) (later NYFA) grant, 1981 Hudson River Museum Annual, 1979 


CURATORIAL WORK


- Co-curator of About Photography exhibit (with Robert Kosinski), 2007, Victory Hall Cultural Center, Jersey City, NJ 

- Curator of Beauty of Big at Victory Hall, 2002, exhibit of large scale painting, installations, drawing, photography, and digital printing. 


BIBLIOGRAPHY 


Review of Art Fair 14C Juried Exhibit, 2020, by Tris McCall Asbury Park Press (App.com) review of Stardust, Rahway Exhibit Revels in Heavenly Sights The Left Bank Art Blog, June 19, 2011, Next Frontier review by Charles Kessler The Star Ledger, Fausty Photos of the Night at Hunterdon, Dan Bischoff, review of the Next Frontier Exhibit ,April, 2011 11 minute video tour of Next Frontier at Hunterdon Art Museum The Tris McCall Report, online review of A Fragile Utopia solo exhibit, 2005 MOCA, Museum of Computer Art, online review of Digital Printmaking Now exhibit at Brooklyn Museum, 2001 The Record, June 20, 2003, A Warehouse of Diverse Art The Jersey Journal, Jan. 2001, Cat’s-eye View of Art Studios The New York Times, Vivien Raynor, July 7, 1996, A Print Show By 12 Workshop Members The Union Daily (Taipei, Taiwan, in chinese), Jan.1995, Printing and Light Come Together describing exhibition and lecture given at Pan Pan Artspace. (article in Chinese) The Jersey Journal, May, 1992, Cannibalism describing group show of that name Canadian Center for Architecture, MIT Press, 1989, Architecture and its Image museum catalog The Village Voice, Oct. 2, 1984, Lower Manhattan Sy Rubin, ed., The Henry Street Settlement, New York, 1981, The Lower East Side Artforum Magazine, Sept., 1981, Ed Fausty, Brian Rose The New York Times, May 8, 1981, The Lower East Side: A Contemporary Portrait in Photographs 



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ANGELO MARCIALIS - Foggy Crossings

Foggy Crossing

Angelo Marcialis

 photograph   

$500

 Copyright © Angelo Marcialis


ARTIST STATEMENT


The Three Bridges (including the Bear Mountain Bridge) is one the most sought after iconic captures in the Hudson Valley, NY. I have captured this scene many times, covering all the seasons over the years. I hadn't been here in awhile, and I wanted to see what my old friend was up to this foggy morning. Checking the weather forecast the day before, I knew that a warm front laden with moisture was coming to the Hudson Valley, and with the waters of the Hudson River still running cool, I knew it was going to be the perfect setup for this type of atmospheric conditions. As you can tell by this capture, I was not disappointed!   


My artistic vision, first thru Music and now Photography, is to bring and share light to the world  that I live in. Regardless of the artistic endeavor, it is the creativity that keeps me vibrant,  relevant and alive!  I am honored to be able to offer my photography of the beautiful Hudson Valley in New York  and beyond  


COPYRIGHT

Copyright ©  Angelo Marcialis,  all rights reserved  CONTACT for sale or copyright © information, etc.  highlandsart@njhighlandscoalition.org or 973-910-2400    The NJ Highlands Coalition respects the rights of all artist and copyright holders.  Consequently, all works that appear on this website do so with the  consent of the artist/s or the copyright holder.    No image or  information display on this site may be reproduced, transmitted or  copied (other than for the purposes of fair dealing, as defined in the  Copyright Act 1968) without the express written permission of The NJ Highlands Coalition and the artist.  Contravention is an infringement of the Copyright Act and its  amendments and may be subject to legal action.  


 CONTACT   NJ Highlands Coalition  508 Main Street , Boonton, NJ 07005       

PHONE:  973-910-2400       

EMAIL:  highlandsart@njhighlandscoalition.org


BIO


 Retired from a rewarding career as a Music Educator, Angelo has turned his creative muse  towards the realm of Landscape Photography. His photographic proficiency has achieved the  same creative level that he enjoyed in his music career. 


In just a few years, Angelo’s landscape photographs have been featured on various websites,  social media platforms, magazines, travel guides, newspapers and newsletters. They have been  used for raffle items at fundraising functions, and have been awarded in adjudicated exhibitions  in the Tri-State Area as well.






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DENNIS MAIDA - Star Trail

Star Trail

Dennis Maida

Photograph 

8"h x 10"w Framed 

$350

Copyright Dennis Maida


ARTIST STATEMENT:  

I set out one warm evening to capture the Milky Way over the Appalachian Trail Boardwalk in Vernon NJ area. The light pollution from NYC was much greater than I thought it would be however, the fog in the air actually diffused it a bit, also giving Jupiter and Saturn a glow boost.     


Copyright ©  Dennis Maida, all rights reserved    

COPYRIGHT CONTACT:  NJ Highlands Coalition  508 Main Street  Boonton, NJ 07005  Phone (973) 588-7190  Fax (973) 588-7193  E-mail: highalndsart@njhighlandscoalition.org


The NJ Highlands Coalition respects the rights of all artist and copyright holders.  Consequently, all works that appear on this website do so with the  consent of the artist/s or the copyright holder.    No image or  information display on this site may be reproduced, transmitted or  copied (other than for the purposes of fair dealing, as defined in the  Copyright Act 1968) without the express written permission of The NJ Highlands Coalition and the artist.  Contravention is an infringement of the Copyright Act and its  amendments and may be subject to legal action.  


Return to Farmstead Exhibit 2022

DEBRA WALLACE - Iona Island Marsh

Iona Island Marsh

Debra Wallace

Photograph

13" x19" print 17" x 24" matted & framed  

$385

Copyright Debra Wallace*


ARTIST STATEMENT


Iona Island is located in the Midst of the Hudson Valley near Bear Mountain State Park, Stony Point, NY.  


*COPYRIGHT

Copyright ©  Renelle Lorray,  all rights reserved  

 The NJ Highlands Coalition respects the rights of all artist and copyright holders.  Consequently, all works that appear on this website do so with the  consent of the artist/s or the copyright holder.    No image or  information display on this site may be reproduced, transmitted or  copied (other than for the purposes of fair dealing, as defined in the  Copyright Act 1968) without the express written permission of The NJ Highlands Coalition and the artist.  Contravention is an infringement of the Copyright Act and its  amendments and may be subject to legal action.  


CONTACT   NJ Highlands Coalition  508 Main Street , Boonton, NJ 07005       

PHONE:  973-910-2400       

EMAIL:  highlandsart@njhighlandscoalition.org





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MARV KAMINSKY - After the Harvest

MARV KAMINSKY - After the Harvest

After the Harvest

Marv Kaminsky

Photograph  

24"h x 30"2  

$500

Copyright MIroslav Vrzala*


ARTIST STATEMENT


Photography is my passion.  I have been doing photography both professionally and as a hobby for almost 50 years.  My work has received numerous awards both nationally and internationally and has been published in magazines and calendars. The image in this exhibit is a photograph digitally captured and printed on archival fine art paper with archival pigment inks.  “After The Harvest” is of what appeared to me to be a cornfield that had been harvested in Warren County.  I was attracted to it by the fence leading out to the single tree.  The sky and clouds were made more dramatic in post processing.  I thought the scene had the qualities of tonality, textures, and shapes for a black & white image.  


COPYRIGHT


Copyright ©  Marv Kaminsky.  All rights reserved  

 The NJ Highlands Coalition respects the rights of all artist and copyright holders.  Consequently, all works that appear on this website do so with the  consent of the artist/s or the copyright holder.    No image or  information display on this site may be reproduced, transmitted or  copied (other than for the purposes of fair dealing, as defined in the  Copyright Act 1968) without the express written permission of The NJ Highlands Coalition and the artist.  Contravention is an infringement of the Copyright Act and its  amendments and may be subject to legal action.  


CONTACT   NJ Highlands Coalition  508 Main Street , Boonton, NJ 07005       

PHONE:  973-910-2400       

EMAIL:  highlandsart@njhighlandscoalition.org






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RENELLE LORRAY - Autumn Dress

Autumn Dress

Renelle Lorray

Photograph

18"h x 24"w 

$295

Copyright Renelle Lorray*


ARTIST STATEMENT


This magnificent tree is on the Long Pond Ironworks Historic site in Ringwood near a deteriorating old house that likely belonged to an iron forge worker.  The tree's grace and amazing color transition from pale green to intense orange throughout the autumn season bring me back year after year to capture it.


COPYRIGHT

Copyright ©  Debra Wallace,  all rights reserved  

 The NJ Highlands Coalition respects the rights of all artist and copyright holders.  Consequently, all works that appear on this website do so with the  consent of the artist/s or the copyright holder.    No image or  information display on this site may be reproduced, transmitted or  copied (other than for the purposes of fair dealing, as defined in the  Copyright Act 1968) without the express written permission of The NJ Highlands Coalition and the artist.  Contravention is an infringement of the Copyright Act and its  amendments and may be subject to legal action.  


CONTACT   NJ Highlands Coalition  508 Main Street , Boonton, NJ 07005       

PHONE:  973-910-2400       

EMAIL:  highlandsart@njhighlandscoalition.org


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All art and images on this Web site are Copyright the artists, all rights reserved. No images shall be reproduced under any circumstances.

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